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TAI TAKES HOME 26 AWARDS AT THE 2023 DALLAS ADDY’S

Written By: Amber Bormann

 

 

 

 

 

 

On March 1st, SMU students took home 26 awards: 9 Gold, 16 Silver, and the Student Best of Show.

This is the fourth year in a row that SMU has won Best of Show at the American Advertising Federation Dallas ADDY awards (and the fifth out of the last six years). Pictured here are this year’s Best of Show Winners Roshan Gupta & Kayla Hanrahan accepting their award at the show.

“We’ve had an incredible run over the past few years. In 2021 and 2022 we broke records (that we set) for the overall number of ADDY wins in this competition (30). But this year we took home more Gold ADDYs than ever (9),” advertising professor, Mark Allen, noted. “And I think this is telling because, not only are we producing a lot of great work from year to year, but the amount of truly exceptional work coming out of our program seems to be increasing.”

The work presented ranged from designs of students’ personal business cards to ad campaign projects for existing companies with creative projects across different forms of media.

Since all of the awards received were Silver and above, every entry will move forward to compete in the District 10 competition, which is one of the most competitive districts in the country. There they will compete against Gold and Silver winners from other schools in Texas, Oklahoma, Arkansas, and Louisiana.

The Dallas Addys is a highly competitive competition, which means that a lot of other impressive work from students didn’t get in. Allen noted that “several campaigns that didn’t get into the ADDYs won in other prominent competitions like the Graphis International New Talent Annual and the DSVC National Student Show.” Keep an eye on our social media pages to see more of the winning work. The Temerlin School is very proud of the work of all their students and congratulations to all the ADDY winners listed below:

WINNING WORK

BEST OF SHOW / Smart Sweets / Roshan Gupta & Kayla Hanrahan

GOLD / Light Phone / Television / Tessa Conti & Natalie Castillo

GOLD / Band-Aid / Social Media / Tessa Conti & Avery LeVoyer

GOLD / Letterboxd / Magazine / Alexa May & Anika Crouser

GOLD / Grammarly / Cross-Platform / Hernandez & Meriel Upton

GOLD / Smart Sweets / Cross-Platform / Roshan Gupta & Kayla Hanrahan

GOLD / Pretty Litter / Out Of Home Poster / Brooke Betik & Megan Ferm

GOLD / Smart Sweets / Copywriting / Roshan Gupta & Kayla Hanrahan

GOLD / Future of Sex Ed / Out-Of-Home / Natalie Castillo & Olivia Porsch

GOLD / Heidenreich Business Card / Stationery / Sophie Heidenreich

SILVER / Marek Business Card / Stationery / Siena Marek

SILVER / Neuro / Social Media / Avery LeVoyer & Olivia Porsch

SILVER / Neuro / Online/Interactive / Avery LeVoyer & Olivia Porsch

SILVER / Sriracha / Cross-Platform / Daniela Villegas & Timmy Chae

SILVER / Uptown Cheapskate / Cross-Platform / Juan Silva & Blake Lyster

SILVER / IcyHot PRO / Cross-Platform / Tessa Conti & Anika Crouser

SILVER / Light Phone / Cinematography / Tessa Conti & Natalie Castillo

SILVER / Tile / Magazine / Sophie Heidenreich & Natalie Castillo

SILVER / Tile / Art Direction / Sophie Heidenreich & Natalie Castillo

SILVER / Tile / Cross-Platform / Sophie Heidenreich & Natalie Castillo

SILVER / Peko / Integrated Brand Identity Campaign / Siena Marek

SILVER / Hawkers / Logo Design / Delaney Gendron

SILVER / Miralax / Cross-Platform / Sophie Heidenreich & Emily Elhilow

SILVER / Lumē / Cross-Platform / Alexa May & Megan Ferm

SILVER / Dramamine / Outdoor & Transit / Olivia Hernandez & Meriel Upton

SILVER / Miralax / Outdoor & Transit / Sophie Heidenreich & Emily Elhilow

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Brand Integration at SXSW

SMU Advertising Seniors: Alan Sarieddine and  Alex Daly-Hill

Throughout our experience at SXSW we attended multiple activations, conferences, and events highlighting not only brands products and services, but the movements they are working on curating. The most prominent examples during SXSW involved brands integrating themselves with their communities based on their mission and story. Increasingly, consumers are more conscious than ever about the brands they choose to support. They want to know more than just what a company is selling; rather what they stand for, their values, personality, and how they are making a positive impact on the world. Brands that can effectively communicate their mission and story have a better chance of building a loyal following and gaining market share.

RokuCity embodied the chaos of SXSW with a 3 floor funhouse, where the visitor is transported into a physical representation of the TV software. Entering in groups, you follow a circuit of rooms, with numerous branded photo opportunities, merchandise, food and accessories including temporary tattoos, face jewels, and purple hair extensions. Throughout this experience there is no mention of the product, until the final room where you land at a living room, followed by an open top garden for a chance to socialize and relax. The event conveyed the personality of Roku, and made a lasting impression on visitors regarding their values, and identity. At no point was the product, price, or details mentioned, however recall for the product, product placement inside, and opportunities for earned media is bountiful.

Porsche, as expected , presented a showcase of car displays; an electric 911, concept future card, SXSW livery model, and an inflatable duck-embedded white 911. However, that ultimately was not the primary focus of Porsche’s house. The car brand used these models as excellent props to gather people at their convention, encourage photo taking, and direct ears to their rolling schedule of  presenters who detailed the projects Porsche are working with outside of automobiles, and the other brands and products they’re utilizing and learning from. While select visitors may be encouraged to purchase the car, this was not the sole purpose of the convention so they didn’t focus the car specifics but instead shared the ideas, and knowledge valuable to them. Speakers and shows highlighted the roles Porsche plays in the Arts, Tech and Corporate spheres, and what the brand does besides producing cars.

At the heart of Rainey Street, a University of Texas cookout featuring live music, free barbecue, photo booths, and alumni centers took center stage. Utilizing the prominent attributes of the university and state, visitors were temporarily welcomed into the school’s family, mixing with alumni, staff, and enjoying student driven entertainment through exhibits and music. Like Porsche and Roku, no mentions of the schools cost, reputation, ranking or life is displayed or explicit, rather the atmosphere and intangible qualities of the event are the star of the show. As SXSW is a 21+ event, it is unlikely that prospective students visited this location, however the earned media distributed worldwide post event from family members, friends, & scholarly connections to young academics is invaluable. It also offers an open ‘university’ style event for individuals who haven’t experienced an american, or southern campus, creating a unique touchpoint for potential future consumers.

One of the key benefits of integrating a brand’s mission and story into its marketing efforts is that it allows the company to connect with consumers on a deeper level. By sharing their values and beliefs it can build a sense of community with their customers and create a more emotional connection. This, in turn, can lead to increased loyalty and advocacy. By doing so it help it can also help to differentiate the brand from its competitors. In many industries, products and services can be commoditized, making it difficult for companies to stand out. Focusing on values and beliefs can create a unique identity that sets them apart from the competition. For those willing to make the effort, the rewards can be significant.

In conclusion, the trend of promoting a brand’s mission and story over its products at events like SXSW is a reflection of the changing expectations of consumers, and the recall an experience evokes over a traditional presentation, or advertisement. Ideas and movements, over pieces and products took center stage at SXSW in a world where identity is no longer cache, but the main attribute. Brands that can effectively communicate their mission and story have a better chance of building a loyal following and gaining market share. While it can be challenging to integrate a brand’s mission and story into its marketing efforts, the rewards can be significant for those that are willing to make the effort.

 

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Brand Activations and User Experience at SXSW

SMU Advertising Seniors: Hallie Noland and Bella Pinera

Event marketing is valuable for creating buzz, gaining brand awareness, and building relationships between brands and consumers. This past weekend, various brands took the initiative to capitalize on this at SXSW by hosting brand activations. At many of these activations, brands gave away merchandise, provided photo opportunities, drinks, food, samples and more. These events are uniquely valuable as consumers get to see the brand come to life by experiencing all their interactive offerings, fostering a true connection with the brand. Because attendees can easily connect with the brand on a personal level, they find it easy and almost organic to post their experiences on social media promoting the brand maximizing their reach to not just SXSW but to all attendees’ followers as well.

Throughout the weekend, we attended events hosted by Lush, Paramount +, Dolby, Roku, UT Austin, and more. The most exciting event that we attended was Roku. The purple logo up and coming TV brand rented a multi-story building and turned the space into “Roku City.” Each room had a different theme, making us feel like we were experiencing Roku City in a modern, magical version of real time. The actors in each room were highly animated and unbelievably engaging, never breaking character. Overall, the event was incredibly captivating and has even remained a topic of conversation throughout the weekend because of how unexpected and whimsical the experience was.


Although the Roku event was exciting and unique, the user experience before the event could have been better. The bouncers outside the venue were aggressive, creating negative energy while waiting to attend the event. Additionally, the event only allowed four people in at once to make the experience feel personal. While the intimate numbered group received lots of one one attention inside, it created a long waiting time for people outside in the middle of the street causing traffic, ultimately taking away from the user experience.

This weekend we saw first-hand that in advertising sometimes wait times are unavoidable due to the personable connection we are trying to build with the consumer, however failing to provide an enjoyable captivating experience from start to finish is avoidable. The sound software system Dolby also struggled with this issue of extreme wait times however by the second day the brand had developed a quicker line system showing the importance of editing and being flexible with events in order to satisfy the consumer. Apart from making real time event changes, the Dolby event allowed attendees to sit inside a luxury car inviting them to sit back, relax, and imagine themselves driving with the surreal surround sound. Representatives from the Dolby team were in the vehicle to explain the engineering and technology behind the system to groups of threes. This was a very unique, personal, and exciting experience for both the brand and the consumer. Despite the wait times, Dolby welcomed consumers into various other rooms and even had a chicken and waffle car while consumers were waiting. Dolby provided a seamless, engaging experience start to finish as they interacted with the consumer before, during, and even after the event completing the entire consumer journey positively. The way to truly captivate the consumer is to establish a level of connection from the very first minute you reach them to the very end.

Finally, Paramount + hosted a fantastic event throughout the weekend. Paramount + rented a large venue with multiple floors and various activities. This event was the best because there were many options of things to do, thus creating a more manageable flow throughout the experience. Each section of the event promoted a different show or movie on Paramount +. There were many photo opportunities, and fabulous specialty cocktails that matched the themes of the promoted films. Also, the Paramount experience was outstanding as they had fun activities that were not strictly related to any movie or show in specific as well. These activities included basketball, painting vinyl records, henna tattoos, and more. This created a fun and uplifting atmosphere and encouraged attendees to stay at the Paramount event for a long time.

Overall, this weekend was filled with fun and exciting brand activations. It was great to participate in these activations and see how event marketing can be utilized. We thoroughly enjoyed learning about these brands, bonding with one another, and learning more about the world of advertising and brand activations.

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From Passion to Profit: Secrets of the Creator Economy

Advertising Seniors: Phillips Wood and Ryan Parry

The rise of the creator economy has been one of the most significant changes to the world of entrepreneurship in recent years. It’s a transformation that has seen entrepreneurs and creators shift their focus from building products and services for consumers to building a company with the consumer, not for them. The creator economy is all about storytelling, community building, and social media, and it’s changing the way we think about entrepreneurship.

At the Next Gen Entrepreneur: Rise of the Creator Economy seminar at South by Southwest, experts in the field provided insights into how entrepreneurs can tap into the creator economy and turn their passion into profit. Colin and Samir, two of the experts who are both co-founders of shopify, emphasized that the key to success in the creator economy is building a brand that reflects who you are and what you care about. Your content should be authentic and engaging, and it should resonate with your audience. When you build a community around your brand, you create a loyal following that will support you and advocate for you.


Social media is one of the driving forces behind the creator economy. Platforms like Instagram, TikTok, and YouTube allow creators to share their content with a massive audience and build relationships with their followers. In this new economy, social media is the digital word of mouth. It’s a way for creators to get their message out there and to connect with people who share their values. Social media also allows creators to be authentic and transparent, which is essential in building trust with their audience.

Building a community is another critical aspect of the creator economy. When people identify with a particular brand or product, they are joining a tribe. They’re aligning themselves with a belief system and associating themselves with a group of like-minded people. This sense of community is incredibly powerful, and it’s something that traditional businesses can’t replicate. The creator economy allows entrepreneurs to create products and services that align with their passions and values and attract a community of like-minded individuals.

To tap into the creator economy, entrepreneurs need to focus on their passion. They need to identify what they are passionate about and build a brand around that passion. This means creating content that reflects who they are and what they care about. When entrepreneurs focus on their passion, they can create authentic content that resonates with their audience and builds a community of loyal followers.

Creatives and operators are another essential aspect of the creator economy. Creatives use YouTube, social media, and other platforms to gain a following by creating content. However, they may lack the skills to monetize their brands themselves. To solve this problem, they lean on operators to manufacture and sell their products, building profit for both parties involved. This is similar to creatives and brand managers within the advertising world, where they both lean on each other for help to produce outstanding work.

The creator economy is not just about making money. It’s also about making a difference in people’s lives. Entrepreneurs in the creator economy have the opportunity to create products and services that align with their values and have a positive impact on their communities. By building a community around their brand, they can create a loyal following that will support them and advocate for them.

In conclusion, building a brand in the creator economy is not easy. It takes hard work, dedication, and a willingness to take risks. However, the rewards can be enormous. Entrepreneurs have the opportunity to build a business that reflects their values and interests by focusing on passion, building a community, and leveraging social media, they can turn their ideas into a successful business. They can create products and services that have a positive impact on their communities and make a difference in people’s lives.

 

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A Run-Down of Interesting Things at SXSW – Porsche x Transformers x Live Music Event

Written by SMU Graduate Advertising Students:
Gabriela Vascimini and Shelby Steur

The Porsche Activation was an incredible combination of innovation and entertainment. The perception of the Porsche brand is sleek yet transformative, this reinforces the well thought out partnership with Transformers for this event.


Sprout Social x TikTok

The session Ephemeral trend culture is transforming business allowed me to think about more unique ways to implement tiktok into every industry. Allowing relevance and social communication to take a front seat approach. Jamie Gilpin CMO of sprout social said “The only constant is absolute change”, this comment brought to mind how little we know about the direction social media will take and to use this to our advantage when completing a campaign.

Agency and Creators Mixer

The Agency and Creators mixer gave professionals a chance to meet each other and connect with others in the same industries. I was able to meet several people in both the nonprofit and purpose driven marketing categories. This gave me the opportunity to discuss what to look for throughout a job search and tips for success. It was amazing to talk to someone who was doing the work I look forward to in the future.

Keynote: Priyanka Chopra Jonas in Conversation with Jennifer Salke

This inspiring conversation between acclaimed actress, activist, and philanthropist Priyanka Chopra Jonas and Head of Amazon + MGM Studios  (and former head of NBC studios) Jennifer Salke was surprisingly enlightening and relevant to the world of advertising and branding. While positioned as a film event, both women offered great insight as to the importance of storytelling when trying to communicate any message––including an advertising message. Those in attendance were first treated to a sneak peek to their latest project, a spy thriller series starring Chopra entitled Citadel. Citadel, premiering April 28th, is a new kind of show––a global program. Other than the “mothership” series, two additional foreign series will also be released, one taking place in Italy and one in India, existing with the same universe as Citadel. This has never been attempted before, and is truly a groundbreaking moment for TV shows worldwide.

Salke emphasized the importance of globalization in today’s entertainment world, a sentiment deeply echoed by Chopra, who began her career starring in Bollywood and Hindi language films prior to becoming an actress in Hollywood. She noted how, during the pandemic, many people began to watch foreign shows with subtitles and the practice has become far more mainstream. Chopra then shared a sweet anecdote about her mother’s love for Korean dramas, and mentioned how that was when she realized television and acting could truly transport audiences to anywhere in the world. The most notable point that Chopra and Salke left the audience with was a call for greater diversity in television––not just in regard to how actors look, but how they sound and the languages they share their stories in.

Content Creator Meet-Up & Panel

This exciting event began with a conversation and information question and answer session featuring Netflix star and social media sensation Harry Jowsey and his manager Jeff Duncan, CEO of Ingenuity Live, and talent and influencer management company. Both offered insights into the content creation world from the wildly varied perspectives of talent and business manager, making for an incredibly well-rounded presentation. Following their discussion, they opened up the floor to questions and then encouraged all of the content creators in attendance to mix and mingle with each other, launching the conversation with some icebreaker questions. As a content creator both for a fashion brand as well as for my own personal brand, I found it  interesting to meet content creators on both the business side and on the lifestyle/personal brand side. After the event, I caught up with Harry and we talked a bit more about what it is really like being a content creator, from dealing with negative comments to landing your dream brand deals. He emphasized the importance of creating content that brings out your personality, and this is true whether you are creating content to bolster your personal brand or as marketing content for an established company. One thing is clear––short form video content is the new frontier in advertising, and isn’t going anywhere anytime soon.

VW & Lucasfilm Join Forces with special guest Doug Chiang, Executive Creative Director at Lucasfilm

While it’s clear that the Disney and VW execs didn’t have to force anything when it came to joining together their two iconic brands, countless hours of strategy, research, and an impeccable attention to detail were all necessary to pull off this epic partnership––something that audiences got a special behind-the-scenes look at during this panel. The panel, featuring Ty Ervin (Vice President of Marketing Partnerships at Disney), Gilbert Heise (Chief Strategist of Volkswagen Brand), Kevin Lane Keller (E.B. Osborn Professor of Marketing and Senior Associate Dean for Marketing & Communications at Dartmouth College), and none other than Doug Chiang, Executive Creative Director for Lucasfilm, was moderated by Co-Editor in Chief of Variety Magazine, Cynthia Littleton.  The panelists discussed how storytelling intersects with marketing messages, and how brands can connect with audiences authentically by using both nostalgia and excitement for tomorrow to make marketing messages resonate with them more deeply.  They also stressed the importance of maintaining audience trust, especially with dealing with beloved IP such as Star Wars, and how to keep character integrity while balancing it with creative freedom and new ideas. Chiang quipped that successful brands all share three inherent qualities: Artfulness, character, and humanity.

Those in attendance even got to see a special preview of a still-under-production forthcoming TV spot that will continue this epic collaboration: it features none other than Star Wars icon Grogu, those infamously curious Jawas, and more familiar faces to promote the latest season of Disney+ hit The Mandalorian. Still, Star Wars is only the beginning for the partnership between Disney and Volkswagn––Heise seemed to be constantly hinting at upcoming projects involving the two powerhouse brands featuring different Disney-owned franchises, while Ervin seemed sworn to secrecy. We can only wait to find out as to what’s next.

After the event, I was able to chat with Chiang for a few minutes and thank him for the insights he’d shared with us. We talked about the intersection between branding and storytelling, and he emphasized how he truly believes that storytelling is the backbone of a solid brand. He mentioned that George Lucas always stresses this as well during the creative process, saying that every component––whether in regard to a film, a book, or a TV spot––must have a story to tell. Even products, in order to become iconic, must have personality. And, when it comes down to it, that’s exactly what VW and Disney joined forces to do. They showed audiences that their vehicle was more than just a mode of transportation, but a living, breathing character full of personality––just like R2D2 and C3PO as they ooh and awe at the in the TV spot.

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SXSW: brAIn gAIn

Temerlin Advertising Institute graduate students:
Jackson Ferris and Christiana Savo

The SXSW conference is an exciting opportunity to learn about the latest trends, innovations, and ideas that are shaping the future of technology. Our focus this year will be on a recently trending topic that is sure to affect future generations, Artificial Intelligence. The future of AI is somewhat intimidating! We’re unsure of the scope of changes to come. Nonetheless, we’re looking forward to hearing from industry professionals speaking about how it’s going to change the functionality of the industry- and by that we mean any and every industry. We’ve already been exposed to the controversy of ChatGPT in the educational space but if we’re being honest, this is only the beginning of navigating conflict around AI. We’re looking forward to SXSW because hopefully, it will settle some of our concerns about the future. Maybe by the end of this weekend, we’ll feel in control of AI.

There are many events that offer unique insight from industry leading experts on this topic but we decided to focus on these two:

Can There Be AI Art Without Artists?

How to Think—and Lead—in Ways AI Can’t

These two sessions will provide us with unique insight into the philosophical, applicable, and realistic future of artificial intelligence in our society. The first event “Can There Be AI Art Without Artists?” promises to be an exciting thought-provoking discussion about the ever-increasing threat of AI art in modern artists’ life. While I’m sure this event is going to question future creatives’ roles in all industries, it is also important to consider the benefits of how the technologies can impact the art world. Among the questions that are going to be discussed, one is sure to revolve around the topic of the owner of any work of AI art. The key issue of authorship has been a topic of discussion in the art world in the past, but the traditional mindset of, the artist being the sole creator of the artwork, will no longer be the status quo. Is the algorithm, the artist that trained the algorithm, or the creator who prompted it, the real owner of what is produced? The legal and ethical ramifications of this generation’s decision will determine the intellectual property and ownership of many beautiful and horrifying works in the future.

Another issue that this event will explore is the question of creativity. Can AI be truly creative, or is it just replicating existing patterns and styles? While AI can generate impressive artwork, some argue that it lacks the true creativity and imagination of human artists. However, others argue that AI can be a creative tool that inspires artists to push the boundaries of their own creativity. Finally, this event should also explore the economic implications of AI-generated art. With the rise of generative models, it’s essential to consider how this technology can impact the livelihoods of human artists. Will AI-generated art replace human-created art, or will it become a new modality that can coexist alongside traditional art? Can AI-generated art be profitable, and if so, who should benefit financially? This is just one of many events that promise to be a fascinating exploration of the intersection between technology and creativity. This is sure to be the genesis of many future discussions both legally and morally that will plague the art world for the coming months if not years.

Industry leaders are concerned that AI is a threat to the current model of which they work, and how they manage their work force– will there even be a workforce to manage? Let’s not get ahead of ourselves. We as humans will evolve to work in congruence with AI; it will become a tool to increase knowledge, and productivity, and push the boundaries of innovation more than ever before. I’m not sure how yet, but I hope to find out more at the How to Think—and Lead—in Ways AI Can’t session. This event promises to provide an intriguing perspective on how to utilize AI in roles pertaining to leadership and decision-making. We expect the event’s central theme to be that although AI can be a powerful tool for processing vast amounts of data, but the opposition is that it’s fundamentally incapable of replicating the full breadth and depth of human experience. The speaker, Nick Chatrath, argues that human experience and judgment are essential for effective leadership, and that the ability to think more like a human will become increasingly critical as AI continues to advance. I am excited to learn more about how Chatrath believes human leaders can use their unique skills to stay ahead of the curve and make informed decisions that reflect the full spectrum of human values. I hope this event will be able to provide the audience with practical advice in ways they can utilize AI to lead in ways they cannot and vice versa. Speaking of the philosophical implications of AI’s effect is fine but I would really look forward to seeing what we can do with AI currently to impact our professional lives and as a result the work we produce. Understanding how AI and humans can work together to achieve better outcomes is crucial, and I am excited to explore these topics at “How to Think—and Lead—in Ways AI Can’t.”

Overall, we’re looking to forward to productive discussions and collaborative workshops around AI this weekend in Austin. Our minds will remain open, and we’ll be challenged to wrap our brains around a future that is not fully ready for us yet as humans. We’re fortunate to experience this evolution that will change humanity and we’re excited to hear from the leaders aspiring to get us there.

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A UNITED FORCE FOR GROWTH AND GOOD: THE ANA GLOBAL CMO GROWTH SUMMIT RECAP

The week of October 24, 2022, over 150 CMOs and business leaders joined together in Orlando, Florida, as a force for growth and good. This is the first time the entire council has met in person in three years.

Dr. Carrie La Ferle of the Temerlin Advertising Institute (sitting first row 2nd from right) and an expert in Culture & Ethics was in attendance helping to shape initiatives for the year ahead.

Below are the actions agreed to be taken in 2023 by the ANA’s Global CMO Growth Council.

SUSTAINABILITY: When we focus on driving growth in ways that are good for the environment, consumers will reward us, which will drive the economy.

TALENT: Our goal is to affect 50,000 marketers and 50,000 students in 2023.

Diversity, Equity, Inclusion, and Belonging (DEIB): Multicultural market growth represents the single most significant opportunity for business growth today.

Humanized Brand Growth: A shift from referencing B2C or B2B with a preference for B4H (Brands for Humans). Growth comes from brands acting in a human-centric way – creating real value to address human needs in innovative ways for the people they serve.

These initiatives will help the industry work together to change habits and systems that limit market growth, including those damaging our planet. As many on the council believe, advertisers and marketers have the power to reach a lot of people, but with power comes responsibility. As La Ferle sums it up “we have a responsibility to use our tools over the people we serve and the environment we live in for growth and good, resulting in a win for all.”

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SMU Advertising Welcomes New Chair and Director

By: Sarah Jane Eckelkamp

Professor Dr. Joe Phua appointed as Endowed Distinguished Chair and Director of the nationally ranked Temerlin Advertising Institute at Southern Methodist University in Dallas, Texas.

Please join the Temerlin Advertising Institute in welcoming Dr. Joe Phua to the Meadows School of the Arts leadership team. 

Dr. Joe Phua’s past experiences include work in the advertising industry and academia. Before earning his Ph.D. from the University of Southern California (2011), where years earlier he earned his undergraduate degree in Cinema-Television, he worked for several major media companies, including MTV Networks, Viacom, IPG, and Paramount Pictures. He said this experience in Hollywood and Los Angeles gave him a “strong understanding of the international media industries and the role of marketing communications within the global economy and in major multinational corporations.”

After earning his Ph.D., Dr. Phua entered the world of academia. He spent over a decade at the University of Georgia Grady College of Journalism and Mass Communication, where he taught classes in digital advertising, strategic planning, social media branding, and others. He simultaneously conducted research focused on using digital media technologies for effective persuasive interventions in health contexts, such as obesity, healthy eating, vaccines, and e-cigarettes, with major externally-funded grants in these areas.

Dr. Phua said he plans to use his past experiences to “help TAI continue to build its stellar reputation as a major center in the United States and internationally for advertising education and research.” As well as to “give SMU advertising students a strong and well-rounded education, so they have the necessary tools and knowledge to become future leaders in advertising.”

He believes that “in order to create great advertising, we need to first experience and know the world around us.” One of the tools the new Director plans to utilize for TAI is Dallas’ status as a major media and arts hub. The strong and emerging tech and innovation scenes increase the attractiveness of the metroplex in which SMU is located, and Dr. Phua “sees many opportunities for TAI moving forward in terms of jobs and internships for advertising students, corporate partnerships for undergrad and graduate programs, and harnessing the location to play a leadership role in nurturing and educating the next generation of advertising and marketing professionals, leaders and innovators.”

His ultimate goals include “making the Temerlin Advertising Institute an International hub for world-class advertising education and research” and he desires to “shape the next generation of leaders in the field” through “training and educating the best students who will go on to change the world through their work.” All while “nurturing research that can exert a positive impact in the world,” as Dr. Phua’s priorities for research include “more varied research opportunities for students and faculty, such as in the areas of data science and artificial intelligence.”

Temerlin’s motto “Better Advertising. Better World” embodies, for Dr. Phua, how “advertisements tell stories and reflect the world around us.” He believes “ads are pieces of art that educate and inform us, while also serving as “mirrors” reflecting who we are as a culture, a country, a world. Advertisements have the ability to persuade and change how people perceive brands, products, and companies. Additionally, advertisements can shape how people think about important social, political, and environmental issues.” Dr. Phua believes “that we can create a better world with better advertising. We can use advertising to create awareness for, advocate, shape ideas, tell stories, and seed conversations around issues of concern in our world, thereby helping to change the world, a little at a time.” SMU’s motto “World changers shaped here” is also meaningful to TAI’s new Chair as he believes “that is exactly what we do at Temerlin. We educate advertising students who will go on to create better advertising and thus change the world. Our responsibility as educators at Temerlin is, therefore, to shape future leaders in advertising who are creative, curious, tenacious, and passionate about the world around them, and who will go on to become world changers.” says Dr. Phua.

We are thrilled to have Dr. Joe Phua joining the Meadows leadership team as Professor and Endowed Distinguished Director and Chair. Please give him a warm Mustang welcome!

A Word From the Director and Chair…

“I would like to tell current, future, and past students to always remember to think big and dream big. Believe in yourself. You have the power and ability to change the world.” -Dr. Joe Phua

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SMU Temerlin Advertising Institute Nationally Ranked After Successful Awards Season

Another record-breaking year for SMU Advertising!

Written By: Sarah Jane Eckelkamp

We are only halfway through 2022, and TAI students have already doubled the accomplishments of the previous year. Throughout the semester, Temerlin Advertising Institute students enter their campaigns into various local and national competitions. TAI is celebrating several students who have been recognized by prestigious advertising competitions like Graphis, the American Advertising Federation Student Competition, the National Student Advertising Competition, Young Ones, and more. Even though the past two years were characterized by irregularity due to COVID, this awards season was inspiring and unprecedented. Creative Program Director and Senior Lecturer Mark Allen believes that this year’s success was “built on a long tradition of artistic and strategic excellence within Temerlin’s creative program, resulting in the most successful year we’ve ever had when it comes to student competitions.”

The Student One Show:

Young Ones, aka the Student One Show, is organized by The One Club for Creativity and is the world’s premier creative competition for advertising students. 

Last month, our Young Ones winners took home 24 Shortlists, 3 Merit Awards, and 4 ADC Cubes (2 Gold, 1 Silver, 1 Bronze), earning SMU Temerlin Advertising Institute a Top 5 ranking in the United States and Top 10 in the world.

TAI students represented and were recognized across over a dozen categories, including art direction, copywriting, integrated campaigns, animation, sound design, narrative, film craft, and advertising/design for good. Our creatives cleaned up! Despite only competing in the ADC category, which recognizes campaigns created as coursework during the school year, SMU still obtained extraordinary rankings—which speaks highly of the level and quality of work produced by students through their mentorship from professors in the classroom. Because this category does not assign a particular client or brief, students are able to showcase the exemplary work they produce in the ordinary course of each semester within the Temerlin Advertising Institute. Professor Allen noted that “while it’s fun to win trophies as a reward for all our hard work, awards are really more about verifying (externally) what we already know about our program (internally) through an independent, internationally-renowned group of creative professionals—namely, that TAI  is one of the best advertising programs in the country.” The Student One Show truly recognizes the dedication of our students and faculty to positively shaping the future of the advertising industry. 

Congratulations to those identified below and all who mentored them along the way! And thank you to The One Club for Creativity for supporting students worldwide. 

2022 YOUNG ONES // WINNERS + SHORTLIST

See the winning work here. 

CUBE / LEGO: When did you stop building? > Film Craft: Animation / Elizabeth Skrmetta and Ethan Rios

CUBE / LEGO: When did you stop building? > Film Craft: Narrative / Elizabeth Skrmetta and Ethan Rios 

CUBE / LEGO: When did you stop building? > Television / Film / Online Video / Elizabeth Skrmetta and Ethan Rios 

CUBE / LEGO: When did you stop building? > Advertising: Craft in Video – Visual / Elizabeth Skrmetta and Ethan Rios 

MERIT / Half Price Books > Integrated Campaign / Sarah Scambray, Palmer Beldy and Sam Zimmerman 

MERIT / Band-Aid > Advertising: Television / Film / Online Video / Tessa Conti and Avery Levoyer 

MERIT / Band-Aid > Advertising: Direct / Tessa Conti and Avery Levoyer

SHORTLIST / Inkbox Temporary Tattoos > Magazine Advertising / Anika Crouser and Sophie Heidenreich

SHORTLIST / Rent the Runway: In Every Season > Out of Home / Sophie Heidenreich

SHORTLIST / The One Club: Pay Your Interns >Design for Good: Advertising / Grace Peek and Palmer Beldy

SHORTLIST / The One Club: Pay Your Interns > TV / Film / Online Video / Grace Peek and Palmer Beldy

SHORTLIST / Ring Video Doorbell > Integrated Campaign / Ra Kazadi

SHORTLIST / Temerlin Advertising Institute > Out-Of-Home / Posters / Tessa Conti

SHORTLIST / Lodge Cast-Iron Skillets > Integrated Campaign / Caroline Soja and Ceci Luther

SHORTLIST / Gabb Wireless Phones for Kids > Copywriting / Helen Cheever

SHORTLIST / Dad Grass: Low Dose Hemp Joints > Integrated Campaign / Sarah Scambray and Sam Zimmerman

SHORTLIST / Waffle House > Out-of-Home Poster / Megan Ferm and Brooke Betik

SHORTLIST / Story Corps / NPR Podcast > Out-Of-Home / Brittany Cooksey and Grace Peek 

SHORTLIST / Band-Aid > Motion / Film Craft: Short Video / Tessa Conti and Avery Levoyer

SHORTLIST / Band-Aid > Advertising: Craft in Video / Audio: Sound / Tessa Conti and Avery Levoyer 

SHORTLIST / Dungeons & Dragons > Out of Home Poster / Siena Marek and Olivia Porsch

SHORTLIST / US Postal Service > Out of Home Print / Ethan Rios and Palmer Beldy

SHORTLIST / US Postal Service > Copywriting / Ethan Rios and Palmer Beldy

SHORTLIST / Netflix > Design for Good: Advertising / Mariana Midolo

Graphis New Talent Annual: 

It doesn’t stop there…The Graphis New Talent Annual is a competition that showcases some of the most talented industry newcomers. Since 1944, Graphis has awarded some of the most influential work in the communication arts and, through the New Talent Annual, recognizes “rising stars.” The recognized students come from around the world, and the awarded work is published in a printed hardback volume each spring. 

One of TAI’s rising stars was Sarah Scambray (’22), now Junior Art Director at Slingshot agency, who had five campaigns recognized in the Graphis competition. Scambray said, “It was a huge honor to have work selected from such a wide pool of talented people – especially considering the fact that the judging for these competitions can feel so subjective, and each project is so unique.” Students Ethan Rios, Grace Peek, Palmer Beldy, Sam Zimmerman, Meriel Upton, Helen Cheever, and Elizabeth Skrmetta also placed in several divisions or with more than one campaign. They were alongside Scambray, who said, “Sometimes pieces that win gold in one competition won’t even place in another, so it was encouraging to see work do well across the board.”

SMU Advertising won in multiple categories across both Advertising and Graphic Design this year, taking home 25 awards in the 2022 Graphis New Talent Annual: 7 Golds, 10 Silvers, and 8 Honorable Mentions — the awardees are listed below. Congratulations to all the rising stars! A title which, according to Scambray, “encourages students not to become complacent, but to keep pushing to create better and better work.” Thank you, Graphis!

2022 GRAPHIS NEW TALENT ANNUAL WINNERS

See the winning work here.

GOLD (7)

Sarah Scambray / Divorced Beheaded / Publication

Sharese Rivait / Milkbone Minty Brushing Chews / Integrated 

Sarah Scambray / Rod the Father / Poster

Ethan Rios and Elizabeth Skrmetta / LEGO / Commercial

Sarah Scambray / Huggies / Logo

Grace Peek and Palmer Beldy / Pay Your Interns / Social Video

Sarah Scambray and Sam Zimmerman / Dad Grass / Integrated

SILVER (10)

Emily Elhilow / Krylon High Heat / Integrated

Grace Peek / All Terrain Poison Ivy Cream / Out-of-Home    

Ra Kazadi / Ring Video Doorbell / Integrated   

Ethan Rios / Nair for Men / Out-of-Home

Palmer Beldy, Sarah Scambray & Sam Zimmerman / Half-Priced Books Integrated

Megan Ferm and Brooke Betik / Waffle House / Integrated

Natalie Castillo / Quadpay / Integrated 

Meriel Upton / Fight the New Drug/ Integrated 

Lodge Cast-Iron Skillets / Caroline Soda & Ceci Luther / Out-of-Home

Meriel Upton and Olivia Hernandez / Girl Scouts /  Print

HONORABLE MENTION (8)

Elizabeth Skrmetta and Charlotte Jernigan / Trust & Will / Integrated

Scarborough Renaissance Festival // Elizabeth Skrmetta / Out-of-Home

Wolffe Bonewell and Maggie Daly / Apartments.com / Out-of-Home

Helen Cheever and Palmer Beldy / Genesis Women’s Shelter / Poster

The Beard / Sarah Scambray / Publication

Gabb Wireless / Helen Cheever / Integrated

Meredith Welborn and Luke Lockwood / 23andMe / Commercial Campaign

Thida Sok / Purple Mattress / Logo

American Advertising Federation Student Competition (ADDYs):

The New Talent Annual wasn’t the final stage our students shined on. After winning 30 awards, more than any school in the history of the Dallas ADDY competition in February, dozens of our student campaigns moved onto the District and National levels. SMU competes in District 10, comprised of powerhouse schools from Texas, Oklahoma, Arkansas, and Louisiana – including UT, Texas A&M, TCU, UNT, and LSU. 

Despite being significantly smaller than many competing schools, TAI brought home 21 awards from the District 10 competition: This includes the Overall Student Best of Show Award! The District level performance resulted in a dozen entries, Gold and Silver, qualifying to advance and represent SMU at the National level in Nashville.

At the beginning of June, several students journeyed to Nashville to accept 8National ADDYs – 3 Gold and 5 Silver! Setting a new Temerlin record and winning more than any other university in the country. Elizabeth Skrmetta was one of several students whose work made it to the final stage and said, “It has been beyond humbling to have had a campaign recognized by so many industry leaders across the competition circuit.” She and classmate Ethan Rios crafted a LEGO campaign that received a plethora of attention, ultimately receiving Gold at every level of the ADDYs and many other accolades. Skrmetta graduated in May and said she is “so grateful to the faculty and staff of Temerlin, and would not be the creative [she] is today without each and every one of them.” She feels the “When did you stop building?” campaign is a true culmination of all of the knowledge and skills learned from everyone in TAI, but especially Professor Mark Allen, who was a guiding light throughout the creation of this campaign.” 

Temerlin is grateful for the American Advertising Federation and its continued support for the next generation of advertising professionals. Listed below are the District and National ADDY Award Winners! Congratulations to all! 

National ADDY Winners List: 

GOLD / LEGO: Ethan Rios and Elizabeth Skrmetta

GOLD / Obsessed with the Beard Feature: Sarah Scambray

GOLD / Sooty Corps NPR Podcast: Grace Peek and Brittany Cooksey

SILVER / Lodge Cast-Iron Skillet: Caroline Soja and Ceci Luther 

SILVER / The One Club: Pay Your Interns PSA: Palmer Beldy and Grace Peek

SILVER / LEGO: When did you stop building?: Ethan Rios and Elizabeth Skrmetta 

SILVER / Angi’s List: Alexa May

AAF DISTRICT 10 WINNERS LIST: 

Watch the Best of Show Winner here.

Best of Show // LEGO: When did you stop building? / Ethan Rios & Elizabeth Skrmetta 

Student Special Judges Award // LEGO: When did you stop building? / Ethan Rios & Elizabeth Skrmetta

Gold / The One Club: Pay Your Interns PSA / Integrated Campaign / Palmer Beldy & Grace Peek

Gold / Temerlin Advertising Institute / Art Direction / Campaign Tessa Conti

Gold / LEGO: When did you stop building? / Animation or Special Effects / Ethan Rios & Elizabeth Skrmetta

Gold / Obsessed with the Beard / Publication Design / Sarah Scambray

Gold / LEGO: When did you stop building? / Art Direction / Ethan Rios & Elizabeth Skrmetta

Gold / Lodge Cast-Iron Skillets / Integrated Campaign / Caroline Soja & Ceci Luther

Silver / Your House Away From Home / Integrated Campaign / Megan Ferm & Brooke Betik

Silver / LEGO: When did you stop building? / Television Advertising / Ethan Rios & Elizabeth Skrmetta

Silver / Angi’s List / Magazine Campaign / Alexa May

Silver / Trust & Will Online Estate Planning / Copywriting / Elizabeth Skrmetta & Charlotte Jernigan

Silver / Gabb Wireless Phones for Kids / Copywriting / Helen Cheever

Silver / Story Corps / NPR Podcast / Out-of-Home Poster Campaign / Grace Peek & Brittany Cooksey

Bronze / Dad Grass: Low Dose Hemp Joints / Integrated Campaign / Sarah Scambray & Sam Zimmerman

Bronze / US Postal Service: Through it All / Magazine Campaign / Palmer Beldy & Ethan Rios

Bronze / Dallas Ballet Academy / Out-of-Home Campaign / Thida Sok & Ceci Luther

Bronze / Half Price Books / Integrated Campaign /Sarah Scambray, Sam Zimmerman, & Palmer Beldy

Bronze / QuadPay: Indulge Yourself / Art Direction / Natalie Castillo

Bronze / Apartments.com / Copywriting / Maggie Daly & Wolffe Bonewell

Bronze / Temerlin Advertising Institute / Out-of-Home Poster Campaign / Tessa Conti

National Student Advertising Competition (NSAC): 

The American Advertising Federation also supports the next generation of advertisers through the National Student Advertising Competition (NSAC.) This year, Professor Nicole Haddad mentored a team of students from across all three advertising tracks – digital media strategy, strategic brand management, and creative – Cox School of Business, and Dedman College as they created a campaign for Meta Quest by Facebook. The 2022 SMU team members were Palmer Beldy, Amber Bormann, Rachael Briner, Helen Cheever, Grant De Paoli, Kalena Dorgan, Jackson Ferris, Emme Rothberg, Brendan Shelley, Bailey Sullivan, Meriel Upton, Brooke Weber, and Sophie Yuill.

For the first time since 2019, the competition occurred in person, and the team ventured to Houston, Texas, where they presented their semester of research, insights, and ideas to a panel of judges and the brand. Professor Haddad felt that “The team conducted powerful primary research to uncover unique insights while the creative team members brought it to life through digital advertising and media activations. The special sauce that made this team work so well together was the chemistry and bond that everyone had. So much fun was had together, and those bonds ultimately fueled incredible teamwork.”

This year, SMU won the District 10 Third Place prize and the Judge’s Special Award from Meta for the “Most Uncomfortable Truths.” The Judge’s Special Award was awarded for the boldest idea rooted in an insight that made the client the “most uncomfortable.” Professor Haddad claims the special award “illustrated how successful the team was in identifying and honing in on a key insight, and marrying that insight to create bold, truth-telling content.” 

A job well done…!

The success of Temerlin’s students this year was outstanding. Professor Mark Allen believes, “If we’re fortunate enough to keep this tradition going, it makes SMU a place that new students want to study and galvanizes our alumni base—and this keeps the whole cycle going.” 

Congratulations again to all, and thank you to all who made this year possible.Especially Mark Allen – Senior Lecturer and Creative Program Director, Willie Baronet – Stan Richards Professor in Creative Advertising, Cheryl Mendenhall – Senior Lecturer and Program Director for Graphic Design Minors, Tami Fowler – Senior Program Specialist, and Gordon Law – Executive in Residence and 2021-2022 Interim Chair. What a year!

 

Posted on

Oh, to be Young!

Written by: Stella Cofoid

Creative Program Director and Senior Lecturer Dr. Mark Allen Named to Young Ones Jury. 

The Young Ones Competition critiques and scores the essentials of Advertising: portfolios, briefs, and art direction. The partnership between One Club and Southern Methodist University dates back to 2005, around the same time as the groundbreaking of the Temerlin Advertising Institute. Dr. Mark Allen, an undergraduate and graduate-level professor, has been selected for the fourth year in a row to be on the Young Ones jury. He has served in several different capacities each time he has been chosen. This year, he is serving in the “Portfolio Competition,” which recognizes the world’s best student portfolios. The portfolios are examined and scored based on the entirety of their content, not just one singular campaign. When asked his thoughts on working alongside some of his former students as a juror, Dr. Mark Allen states that he feels “proud and humbled, as contradictory as that sounds.” Proud and humbled, complementary terms rather than contradictory, serve to prove the eloquence and pour of knowledge that professors at the Temerlin Advertising Institute instill into their students as the students become respected colleagues. Alumni that have also served in this capacity are Greg Peterson, Morgan Hoff, and Tanner Thompson, just to name a few. These students have gone on to lead impeccable careers and are widely respected in their fields. Through moving up in agencies, curating Super Bowl commercials, and more, their success signifies the due diligence of their own internal drive and the professors that showed them how to be passionate about their work. 

 The “Student One Show” is an exclusive exhibition of the top portfolio programs in the country. As Temerlin grew, so did the talent of the students, readily preparing them for a competition of this scale. In 2010, this sentiment proved true as the Temerlin Advertising Institutes students had more than twice as many pieces accepted into the show than a graduate-level program competitor. The competition shifted once it went to an invitation-only, international competition in 2015, to which our students still kept up and shattered undergraduate barriers and were awarded based on their creative and strategic excellence. 

This global creative competition is no walk on the yellow brick road. It is magnificently packed with the world’s most creative talent. Dr. Mark Allen, aware of the talent that this competition attracts, plays on this to get his students ready for the quest. Berghs School of Communication in Stockholm is a strong stand-out competitor year after year. Dr. Allen stated that to rile his students up to go up against the smart and creative work of Berghs in 2008-2010, he made the passwords on all of the creative studio computers “beat_the_swedes.” Witty and passion-driven, the 15 creative students selected each year earn their keep. There is no formulaic trick to the creativity that each cohort of students brings to the table. The reason and difference with the students of Temerlin? Dr. Allen declares it is because of the family atmosphere that the program promotes and maintains between students and faculty. It is the differentiating factor between TAI students and professors’ work and others that enter the competition. 

Please help congratulate Temerlin’s very own Dr. Mark Allen on his contribution to the Young Ones Competition throughout the years, being selected for the fourth time as a juror, and for his continued success in contributing to the passions and creativity of his students. 

Cheers, Dr. Mark Allen!