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Two faculty win NEH fellowships to study music and human brain; quest for Kurdish state

The National Endowment for the Humanities named SMU professors Zachary Wallmark and Sabri Ates as fellowship grant recipients in January — the only two recipients in North Texas for the current funding cycle.

Wallmark, assistant professor and chair of music history at SMU Meadows School of the Arts, is using music studies, cognitive sciences and original brain imaging experiments to research the nature of our emotional response to music.

“I am deeply honored to receive this recognition,” Wallmark said. “With the support of the NEH, I hope in my work to help people better understand music’s grip on human emotion and imagination.”

Ates, associate professor in the Clements Department of History, is drawing on a variety of archival sources from different languages to write Sheikh Abdulqadir Nehri (d. 1925) and the Pursuit of an Independent Kurdistan. In the book, Ates will explore the quest for a Kurdish state between 1880-1925, when the creation of such a state emerged as a distinct possibility and then quickly unraveled.

“What this grant tells us is that our work has national relevance,” Ates said. “Recognition of SMU’s faculty work by a prestigious institution like NEH further cements SMU’s standing as a research university. With the support of NEH, I hope to answer one of the enduring questions of the contemporary Middle East: The Kurdish statelessness.”

Created in 1965 as an independent federal agency, the National Endowment for the Humanities supports research and learning in history, literature, philosophy, and other areas of the humanities by funding selected, peer-reviewed proposals from around the nation. Additional information about the National Endowment for the Humanities and its grant programs is available at www.neh.gov.

This is the first time since 2010 that two awards were granted to SMU faculty members within the same funding cycle. More recently, history professor Alexis McCrossen received the fellowship in 2015 and assistant professor of English Timothy Cassedy earned it in 2014.

“NEH fellowships are among the most competitive humanities research opportunities in the nation, with a funding rate of approximately seven percent,” said Meadows Dean Sam Holland. “We are delighted that Zach has won this recognition, which is significant for the Meadows Music Division and reflects the growing visibility and stature of SMU on the national research stage.”

“Recognition from the NEH reinforces that our faculty garner national and international recognition for their research,” said Dedman Dean Thomas DiPiero. “Professor Ates’ work is very timely as the world struggles to determine how best to address our needs for greater intercultural understanding.”

Wallmark teaches courses in American popular music, including opera history and the psychology of music, and serves as director of Meadows’ new MuSci Lab, an interdisciplinary research group and lab facility dedicated to the scientific study of music. His first book, Timbre and Musical Meaning, is under contract with Oxford University Press. He will be combining his NEH support with a sabbatical from Meadows for a full year of dedicated research and writing time.

Ates’ research focuses on Ottoman-Iranian relations, Kurdish history, borderlands and the borderland peoples, and the history of sectarianism in the Middle East. His first book Tunalı Hilmi Bey: Osmanlıdan Cumhuriyet’e Bir Aydın, (Istanbul: Iletişim Yayınları, 2009), examines competing projects of Ottoman intellectuals to keep the disparate parts of the Empire together, as well as their responses to the age of nationalism and the birth of the Turkish Republic. Partially based on his award-winning dissertation, his second book, Ottoman-Iranian Borderlands: Making a Boundary (Cambridge University Press, 2013) discusses the making of the boundaries that modern states of Iraq, Turkey and Iran share.

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New study on kingship and sainthood in Islam offers a striking new historical perspective

Field-changing book: New study is a work of history richly informed by the anthropology of religion and art

In a new and potentially field-changing study, A. Azfar Moin explores why Muslim sovereigns in the early modern era began to imitate the exalted nature of Sufi saints.

Uncovering a startling but widespread phenomenon, Moin shows how the charismatic pull of sainthood (wilayat) — rather than the draw of religious law (sharia) or holy war (jihad) —inspired a new style of sovereignty in Islam.

Moin’s research is published in his new book, The Millennial Sovereign (Columbia University Press, 2012).

At the end of the sixteenth century and the turn of the first Islamic millennium, the powerful Mughal emperor Akbar declared himself the most sacred being on earth.

The holiest of all saints and above the distinctions of religion, he styled himself as the messiah reborn. Yet the Mughal emperor was not alone in doing so.

The title of the book reflects the Mughal emperors’ messianic and Sufi beliefs, which also led these Muslim rulers to explore European Christianity, says Moin.

“The Mughal emperors of sixteenth and seventeenth century India — of Taj Mahal fame — were also avid collectors of Christian art. They even invited Jesuit missionaries to discuss the Bible. At first the Catholic priests were delighted that such powerful Muslim kings were attracted to Christianity, but they eventually realized that their hosts were more interested in the millennium,” Moin says.

“The first millennium of Islam occurred at the end of the sixteenth century,” he says. “The Mughals used this religiously charged moment to style themselves as saintly and messianic sovereigns. They called their queens ‘The Mary of the Age’ and ‘Of the Stature of Mary.’ This didn’t mean that they had turned Christian, but that they were Jesus-like in their sacredness.”

Innovative contribution to our understanding of Mughal history
“This is a brilliant book,” said South Asia expert Francis Robinson, a professor at Royal Holloway, University of London. “It is the most innovative contribution to our understanding of Mughal history of my time. As a work of the first importance, and a step change in our knowledge of sixteenth-century India, it must be read by anyone interested in the fields of Islamic kingship, millenarianism and astrology in the Muslim world, and in the early modern world in general.”

A work of history richly informed by the anthropology of religion and art, The Millennial Sovereign traces how royal dynastic cults and shrine-centered Sufism came together in the imperial cultures of Timurid Central Asia, Safavid Iran and Mughal India. By juxtaposing imperial chronicles, paintings and architecture with theories of sainthood, apocalyptic treatises and manuals on astrology and magic, Moin uncovers a pattern of Islamic politics shaped by Sufi and millennial motifs.

He shows how alchemical symbols and astrological rituals enveloped the body of the monarch, casting him as both spiritual guide and material lord.

Ultimately, Moin offers a striking new perspective on the history of Islam and the religious and political developments that linked South Asia and Iran in early modern times.

Moin is assistant professor in the Clements Department of History at Southern Methodist University. His research and writing focuses on early-modern South Asia and the Islamic world. — Columbia University Press

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