Category: Hamon Arts Library

Janet Turner: Texas Printmaker

The current exhibition at Meadows Museum at SMU, Process and Innovation: Carlotta Corpron and Janet Turner, is a welcome reminder of earlier showings of Janet Turner’s prints in Dallas and elsewhere in Texas.  Don’t miss Turner’s remarkable prints now on loan from Hamon’s Bywaters Special Collections, along with other private lenders, including Jack and Beverly Wilgus -donors who have…Continue Reading Janet Turner: Texas Printmaker

David Bowie as art critic

Following the announcement of David Bowie’s death in January, a number of memorials have been published praising and critiquing the singer’s other contributions in the arts.  Indeed, he was not just a cultural icon involved in music, fashion, film, and theater; in the 1990s, he also wrote about contemporary art….Continue Reading David Bowie as art critic

Panel Discussion – Social Costs of War: Trauma and the Trials of Homecoming

  In conjunction with Hamon’s spring 2016 exhibition, Scott Gleeson: Travels in Ithaca, a site-specific art installation in the Library’s Mildred Hawn Gallery and Hamon lobby, the panel discussion, Social Costs of War: Trauma and the Trials of Homecoming, raises awareness of the sociological implications of war since the terror attacks of September 11, 2001. Experts in…Continue Reading Panel Discussion – Social Costs of War: Trauma and the Trials of Homecoming

Collection Spotlight: Ann Cushing Gantz papers

Ann Cushing Gantz (1933 – 2012), a Dallas native, achieved distinction as artist, gallery owner, and art instructor. Her gallery, known as “Cushing Galleries,” served as a location for both gallery exhibitions and art classes. Gantz has taken an active role in many Texas and Dallas art organizations including the Texas Printmakers, a women’s printmaking…Continue Reading Collection Spotlight: Ann Cushing Gantz papers

Travels in Ithaca – Gallery Talk Notes

On Wednesday, February 9th, Scott Gleeson gave a gallery talk on his exhibition Travels in Ithaca. He spoke broadly about the therapy of Eye Movement Desensitization and Reprocessing (EMDR) and how it informs the works in the exhibition, and artists and groups that shaped his concepts and aesthetics. Following, Gleeson provides his gallery notes from this talk….Continue Reading Travels in Ithaca – Gallery Talk Notes

Collection Spotlight: Little Theatre of Dallas collection

The Little Theatre of Dallas was founded in Dallas in 1920 to provide the city with quality theatre performed by non-professional actors from the community and reflects the many facets and stages of the organization from its inception to its final demise in the late 1950s….Continue Reading Collection Spotlight: Little Theatre of Dallas collection

Ed Bland: American urban classical composer

Several years ago when I was brainstorming for a doctoral performance project, I knew that I wanted to deal with something that had to deal with African-American composers.  This was because through all my studies I found that black composers were seldom represented in the classroom and on the performance stage.  After some initial research…Continue Reading Ed Bland: American urban classical composer

Gems from the Tyler, Texas Black Film Collection

The Tyler, Texas Black Film Collection is one of the signature collections of the G. William Jones Film & Video Collection. This collection of race films from the 1930s and 1940s were discovered in an East Texas warehouse in 1983 on miraculously well-preserved nitrate stock and transferred to safety film in 1985. With the advent of…Continue Reading Gems from the Tyler, Texas Black Film Collection

Rereading Argos as an Index of Imperiled Selfhood Among Returning Combat Veterans

  In a memorable scene set in a hotel room in the film, Apocalypse Now, Captain Benjamin Willard, experiencing a fit of delirium, smashes a mirror with his fist and then smears the blood from his wounded hand on his face. The interrelated themes of transformation and recognition introduced in this scene, through the symbol of…Continue Reading Rereading Argos as an Index of Imperiled Selfhood Among Returning Combat Veterans

 

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