Will Power, theatre artist-in-residence in SMU’s Meadows School of the Arts, is one of 21 national performing artists announced as recipients of the fifth annual Doris Duke Artist Awards, presented by the Doris Duke Charitable Foundation (DDCF).
Appointed in recognition of their creative vitality and ongoing contributions to the fields of dance, jazz and theater, awardees will each receive $275,000 in flexible, multi-year funding as well as financial and legal counseling, professional development activities and peer-to-peer learning opportunities provided by Creative Capital, DDCF’s primary partner in the awards.
Other recipients include Pulitzer Prize-winning playwright Lynn Nottage, choreographer and MacArthur Fellowship awardee Mark Morris and Pulitzer Prize-winning musician Henry Threadgill.
Maurine Knighton, program director for the arts at the Doris Duke Charitable Foundation, said, “The foundation is pleased to support this new class of Doris Duke Artists. The composers, musicians, theater artists, choreographers and playwrights who comprise this cohort are visionaries who have already made important contributions to their respective fields. We hope these awards enhance their capacities for exploration and experimentation, in keeping with Doris Duke’s adventurous spirit. DDCF looks forward to their continued creativity, as their work is not only important to the creative sector, but vital to the vibrancy of our society, as well.”
Power is an award-winning playwright and performer who combines classic folklore with modern elements. His recent musical Stagger Lee (2015) spanned the 20th century, tracing mythical characters in their quest to achieve the American Dream. Its deep-seated themes of racism and power were translated through Joplin-inspired tunes, R&B and hip-hop.
His other plays include Fetch Clay, Make Man, which enjoyed a successful run Off-Broadway at the New York Theatre Workshop; Steel Hammer with SITI Company (Humana Festival); The Seven (winner of the Lucille Lortel Award for Best Musical, New York Theatre Workshop, La Jolla Playhouse); Five Fingers of Funk! (Children’s Theatre Company); Honey Bo and The Goldmine (La Jolla Playhouse); and two acclaimed solo shows, The Gathering and Flow, which toured over 70 cities in the U.S., Europe and Australia.
Power’s other awards include a United States Artist Prudential Fellowship, the TCG Peter Zeisler Memorial Award, a Jury Award for Best Theatre Performance at the HBO U.S. Comedy Arts Festival and the Trailblazer Award from The National Black Theater Network.
“I am thrilled and honored to receive a 2016 Doris Duke Artist Award,” said Power. “As an artist, the road is often unpredictable and nothing is guaranteed. I have tried to the best of my ability to travel this road and create stories the best I can. When you live life as an artist, you try to sustain your faith in what you’re doing, and you pray that you will also be able to adequately take care of your family. This award allows me to do just that – it is a public acknowledgment of what I am trying to say while giving me some long-term support to provide and care for those I love. I am forever grateful to receive this award from the Doris Duke Foundation.”
Power won the Meadows School of the Arts’ Meadows Prize in 2011, an international arts residency launched in fall 2009. During his residency at SMU, Power worked with Meadows student actors and designers to create a new theatre work, Alice Underground, a modern spin on the tale of Alice in Wonderland. His work in Dallas as winner of the Meadows Prize was a partnership between the Meadows School and the Dallas Theater Center.
Power was subsequently named an artist-in-residence at the Meadows School and is also the Andrew W. Mellon Playwright in Residence with the Dallas Theater Center, a position awarded through a grant from the Andrew W. Mellon Foundation and HowlRound. Stagger Lee, which was produced and premiered by the Dallas Theater Center in 2015, was partially developed in workshops in collaboration with the Meadows School as a part of Powers’ Meadows Prize residency.
He also conceived and directed The Shakespeare Project at SMU in 2013, which fused the rhythms of Shakespeare’s iambic pentameter with the contemporary beats of hip-hop, and used that rhythm to explore key Shakespearean characters. The Shakespeare Project was an extension of a work Power created for the Royal Shakespeare Company and the London Olympics in 2012, a hip-hop version of Caliban’s speech from The Tempest.
His film and television appearances include The Colbert Report (Comedy Central), and Bill Moyers on Faith and Reason (PBS).
Power was a guest of the U.S. State Department on five separate occasions, traveling to South Africa, Botswana, Lesotho, Turkmenistan and Kyrgyzstan. On these trips and others, he taught community workshops in shantytowns, worked with poets in former regimes of the Soviet Union and lectured at various libraries, grammar schools and colleges.
Currently, he is working on Wade in the Water, which he describes as a “Nuvo-Gospel Musical,” or a work that brings a more contemporary viewpoint to a traditional Biblical or gospel tale. It is being commissioned and developed at Center Theater Group in Los Angeles.
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