When SMU historian David J. Weber died in 2010, he left behind an unfinished manuscript that would have represented a creative departure from his many academic works. One of the most distinguished and productive scholars of the American Southwest, Weber envisioned his next book, First Impressions: A Reader‚Äôs Journey to Iconic Places of the Southwest, as a new perspective on some of the Southwest‚Äôs most distinctive sites.
More than a typical travelogue, the book would bring the reader into the minds of explorers, missionaries, and travelers as they encountered and then wrote about memorable places both manmade and naturally formed, becoming the first non-natives to do so. From impressions of 15 sites in Arizona, New Mexico, southern Utah and southern Colorado, readers would gain present-day as well as historical perspectives. ¬†The destinations would range from the gracefully sculpted rock formations of Canyon de Chelly, to the mesa fortress of Acoma Pueblo, to the conflict-ridden village of Santa Fe, described by an 18th century Franciscan as, ‚ÄúA rough stone set in fine metal,‚ÄĚ referring to, ‚ÄúThe very beautiful plain on which it sits.‚ÄĚ
But first the journey of the unfinished manuscript would have to continue. David‚Äôs widow, Carol Weber, who had served consistently as the final reviewer of all of David‚Äôs manuscripts, knew that this project deserved a place in her husband‚Äôs legacy of eloquent and inspired scholarship. As she considered who might complete the manuscript, Carol turned to their friend, author William deBuys. Like David, Bill had received a shower of honors for his creative and scholarly works. In addition, Bill had earned the distinction of being a fellow of the Clements Center for Southwest Studies, founded in 1996 by David at SMU, where he taught for 34 years.
Over a number of these years, David and Bill grew in admiration of each other‚Äôs work. David had revolutionized contemporary understanding of borderlands history. Bill had earned a national reputation for his analyses of environmental issues threatening the Southwest. They also grew as friends sharing a deep affection for the region, its people and places. ‚ÄúFor both of us, the Southwest has been a source of lifelong fascination, and through the vehicle of this book we hope to share it,‚ÄĚ Bill writes in the preface of First Impressions, published by Yale University Press in August.
The production of First Impressions required some highly focused sleuthing and sifting through a bounty of materials in the three offices of David Weber ‚Äď in SMU‚Äôs History Department and at the family‚Äôs homes in Dallas and in New Mexico‚Äôs Zuni Mountains, near the monumental El Morro, or Inscription Rock, so called because it bears the signatures of early explorers etched into its sandstone fa√ßade. Each of David‚Äôs offices was filled to capacity with books, research notes, correspondence, manuscripts, drafts, and computers holding the contents of David‚Äôs prolific research and writing. Carol found a hard copy of David‚Äôs table of contents and a number of chapters in different states of completion. She and Bill worked with Center for Southwest Studies staff, especially Ruth Ann Elmore, to download and decipher David‚Äôs computer files.
The Center had awarded Bill a second fellowship to work on the project.
‚ÄúI chose Bill because I knew he was a sensitive and wonderful writer, and David felt the same way about him,‚ÄĚ Carol said. ‚ÄúI couldn‚Äôt imagine any other historian finishing David‚Äôs work in a way that would have pleased David because it would be so beautifully written.‚ÄĚ
In the preface to First Impressions, Bill recalls cherished conversations with David about ‚Äúthe general business of making good sentences, paragraphs, and pages. David was a naturally gifted writer.‚ÄĚ
Aside from representing his admiration for David, Bill said he took on the project because he ‚Äúthought the concept of the book was brilliant and offered a truly exciting and informative way to explore the great places of the region. David, ever the professor, had a wonderful pedagogical purpose: He wanted to present primary sources ‚ÄĒ original historical documents and images ‚ÄĒ to people who otherwise might be unlikely to encounter them. In this I completely concurred. It is a form of stealth teaching ‚ÄĒ and wonderful fun at the same time.‚ÄĚ
The result of their literary partnership is a book that seamlessly combines the poetry and precision of both writers. Bill‚Äôs numerous books include River of Traps: A New Mexico Mountain Life, a finalist for the nonfiction Pulitzer Prize in 1991; Enchantment and Exploitation: The Life and Hard Times of a New Mexico Mountain Range; A Great Aridness: Climate Change and the Future of the American Southwest; and The Last Unicorn: A Search for One of the Earth‚Äôs Rarest Creatures. In September 2017 he is receiving the New Mexico Governor‚Äôs Award for Excellence in the Arts, for outstanding writing and literature.
David‚Äôs works include 27 books, many of them recognized as path-breaking in the field by such organizations as the American Historical Association. The Mexican Frontier, 1821-1846: The American Southwest Under Mexico itself won six awards. Two governments gave David the highest honor they can bestow on foreigners. King Juan Carlos of Spain named him to the Real Orden de Isabel la Cat√≥lica, the Spanish equivalent of a knighthood. Mexico named him to the Orden Mexicana del √Āguila Azteca (the Order of the Aztec Eagle). He was one of a few U.S. historians elected to the Mexican Academy of History.¬†Closer to home, in 2007 he was inducted into the American Academy of Arts and Sciences.
Upon release of First Impressions, Carol told Bill: ‚ÄúIt was my love for David that prompted me to ask you if you would finish the book, and it was such an act of love for David, I think, that you willingly took so much time out of your life to finish it for David and our family. ¬†Somehow David‚Äôs life now seems complete.‚ÄĚ
Complete ‚Äď but not finished. Now, First Impressions, with William deBuys, adds to the lasting legacy of David J. Weber and the rich literary resources of their beloved Southwest.
‚ÄĒ Written by Patricia LaSalle-Hopkins