First major U.S. exhibition of masterworks from the House of Alba Collection debuts Sept. 11, 2015 at SMU’s Meadows Museum

Meadows Museum 50th anniversary

First major U.S. exhibition of masterworks from the House of Alba Collection debuts Sept. 11, 2015 at SMU’s Meadows Museum

'The Duchess of Alba in White,' Francisco de Goya y Lucientes

The Duchess of Alba in White, 1795, Francisco de Goya y Lucientes (Spanish, 1746-1828) . Oil on canvas. Colección Duques de Alba, Palacio de Liria, Madrid.

SMU’s Meadows Museum presents the first major exhibition in the United States of treasures from one of the oldest and most significant private art collections in Europe.

Treasures from the House of Alba: 500 Years of Art and Collecting is on view at the Meadows from Friday. Sept. 11, 2015 through Sunday, Jan. 3, 2016, and serves as a cornerstone of the Museum’s 50th anniversary celebration, which continues throughout 2015.

Curated by Dr. Fernando Checa Cremades, former director of the Museo Nacional del Prado in Madrid, Treasures from the House of Alba features more than 100 works — from paintings by Goya and Rubens to 16th-century tapestries by Willem de Pannemaker and 19th-century furniture created for Napoleon III — most of which have never been seen outside of Spain. The treasures on display include illuminated manuscripts, books, historic documents, miniatures, antiquities, prints, sculpture, drawings, and other objects.

Find more images from Treasures From the House of Alba at SMU’s Meadows Museum website

“These extraordinary works of art, many of which have never crossed the Atlantic before, are a treasure trove and a fount of new art historical knowledge,” said Mark Roglán, The Linda P. and William Custard Director of the Meadows Museum and Centennial Chair in the Meadows School of the Arts. “We are honored to present the first exhibition of this outstanding collection in the United States, sharing these works of art that tell the story of a remarkable family and provide an opportunity to explore the panoply of cultural achievement and European history.”

Treasures from the House of Alba is organized chronologically according to seven periods of Alba family history, collecting, and patronage from the 15th to the 20th century:

  • The exhibition begins with the dynasty’s origins in the mid-15th century and rising influence under the 3rd Duke of Alba, Don Fernando Álvarez de Toledo, a prominent courtier in the service of the Spanish monarchy in the 16th  century.
  • This is followed by an exploration of the family’s close ties to the Marquis of Carpio, Europe’s greatest art collector of the 17th century, from whom the Duchy of Alba received important holdings of Renaissance and Baroque paintings, and to the Duques of Veragua, from whom came the Christopher Columbus documents featured in the exhibit.
  • The exhibition also presents a section devoted to Goya and his relationship with the Duchess Doña Teresa Cayetana, and concludes with the extensive collecting activity of the late Duchess and her father since the beginning of the 20th century, which includes the acquisition  of works by such artists as Peter Paul Rubens, Joshua Reynolds, Pierre-Auguste Renoir, and Pablo Picasso, among others.
  • The show features works from the family’s three most prominent palaces in Spain: the Palacio de Liria in Madrid, Palacio de las Dueñas in Seville, and Palacio de Monterrey in Salamanca.

In addition to works currently housed in the Alba collection, the exhibition includes loans from distinguished museum collections that were once part of the Alba holdings. These loans serve to complement the contributions from the Alba family and showcase the full scope of the family’s collecting history.

'Girl with Hat with Cherries,' 1880, Pierre Auguste Renoir

Girl with Hat with Cherries, 1880, Pierre Auguste Renoir (French, 1841-1919). Oil on canvas. Colección Duques de Alba, Palacio de Liria, Madrid.

The exhibition’s highlights include:

  • The Duchess of Alba in White by Francisco de Goya y Lucientes (1795, above right), a portrait that serves as testament to the close relationship between Teresa Cayetana de Silva Alvarez de Toledo, the 13th Duchess of Alba, and the famed Spanish painter.
  • Charles V and the Empress Isabella by Peter Paul Rubens (c. 1628), a double portrait painted after a lost work by Titian.
  • Girl with Hat with Cherries by Pierre Auguste Renoir (1880, at right), a portrait painted toward the end of the artist’s Impressionist period.
  • The Bible of the House of Alba, an early 15th-century illuminated manuscript and one of the earliest known translations of the Old Testament from Hebrew into a Romance language. It contains commentary written by both Christian and Jewish theologians, and was an attempt to encourage stronger ties between Christians and Jews.
  • One of Christopher Columbus’s logbooks, a set of manuscripts documenting the explorer’s journey of discovery of the New World in 1492. The House of Alba’s archive of 21 Christopher Columbus documents includes nine personal letters (one of which is addressed to Columbus’s son Diego) and four of the only remaining documents written during the time of his four voyages.
  • The Virgin of the Pomegranate by Fra Angelico (c. 1426), a centerpiece of the Alba family’s collection since 1817 when it was acquired in Florence by then-Duke of Alba Carlos Miguel Fitz- James Stuart. Rarely publicly displayed, the painting depicts the Madonna and Child engulfed in a golden cloth and flanked by two angels, and showcases Fra Angelico’s mastery of naturalistic compositions through the figures’ delicate features and surrounding drapery.
  • Mercury Enamored of Herse by Willem de Pannemaker (1570), one of eight mythological tapestries that comprise the only complete surviving example of a series depicting Ovid’s tale of the loves of Mercury and Herse.

The House of Alba — for centuries the most illustrious household in Spain, with close ties to the monarchy — remains one of the foremost noble families in Europe, with roots dating back to the mid-15th century when Fernando Álvarez de Toledo was named Count of the town of Alba de Tormes. The Albas have since forged connections with members of some of the most prominent dynasties in European history, including the House of Stuart; the Count-Dukes of Olivares; the Duchy of Veragua (descendants of Christopher Columbus); Napoleon III and his wife, Eugenia de Montijo; and the Churchill family.

> The Dallas Morning News: The Duke of Alba escorts family’s rare art collection to SMU

Over the past five centuries, the Alba family’s patronage, connoisseurship, and ties to Western royalty have shaped the growth and trajectory of the Alba collection, now one of the greatest private collections in the world. Until her passing in November 2014, the head of the Alba family was Cayetana Fitz-James Stuart, the 18th Duchess of Alba, who bore more recognized titles than any other noble today. She is succeeded by her son, Carlos Fitz-James Stuart y Martínez de Irujo.

“Our will is to share the works and pieces that make up the collection of the House of Alba Foundation with a public that is increasingly knowledgeable and more interested in culture and history,” said Carlos Fitz-James Stuart y Martínez de Irujo, Duke of Alba. “This selection of objects allows us to present different works and documents that have survived the vicissitudes of history and represents the greatest treasure of the legacy of our family. It is also an extraordinary opportunity for making the public aware of the steady and silent work of preservation and upkeep that the House of Alba has been doing for centuries.”

> Read the full story from SMU News

September 11, 2015|Calendar Highlights, News|

SMU’s Meadows Museum kicks off 50th anniversary with major survey of Goya prints

Francisco de Goya, 'The Sleep of Reason Produces Monsters,'  Los Caprichos, SMU Meadows Museum. Photo by Michael Bodycomb

Francisco de Goya y Lucientes (Spanish, 1746-1828). Los Caprichos. The Sleep of Reason Produces Monsters. Plate No. 43, 1797-98. Etching and burnished aquatint on paper. Meadows Museum, SMU, Dallas. Algur H. Meadows Collection, MM.67.06.43. Photo by Michael Bodycomb.

SMU’s Meadows Museum launches its 50th anniversary year with a major exhibition of all its holdings of printed works by Francisco José de Goya y Lucientes (1746-1828): all 222 etchings, four lithographs, and three trial proofs.

On view through Sunday, March 1, 2015, Goya: A Lifetime of Graphic Invention provides visitors with a rare opportunity to view complete first-edition sets of Goya’s four great print series – Los Caprichos (The Caprices, 1799), Los Desastres de la Guerra (The Disasters of War, 1810-19), La Tauromaquia (Bullfighting, 1816), and Los Disparates (The Follies, 1815-23) – as well as the Museum’s holdings of Goya’s paintings, which will be displayed alongside the prints.

Curated by Meadows/Kress/Prado Fellow Alexandra Letvin, the exhibition, which opened Sept. 21, also features the Museum’s recent gift of a trial proof from Los Disparates, Disparate Puntual (Punctual Folly), and closely follows the Meadows’ acquisition of Portrait of Mariano Goya (1827), one of the artist’s final paintings, in 2013.

The Meadows houses one of the largest public collections of Goya’s works in the United States, and the exhibition will enable visitors to experience for the first time the Museum’s extensive Goya holdings at once.

“Goya’s mastery in prints marked a turning point in the evolution of graphic art and had a profound influence on the work of later artists, such as Manet and Picasso,” says Mark Roglán, the Linda P. and William A. Custard Director of the Meadows Museum and Centennial Chair in the Meadows School of the Arts. “As the Meadows Museum’s collection is one of the largest depositories of Goya’s works – including the recent acquisition of a late portrait of his grandson, which was a gift in honor of our anniversary – it seems appropriate to kick off the celebration with an exhibition of his genius.”

Goya, widely regarded as one of the most important artists in Western history, represents both the culmination of the Old Master tradition and the beginning of modernity. A witness to decades of political upheaval and social unrest, he began experimenting with printmaking in the late 1770s. The most ambitious endeavor of his early career was a group of 11 etchings (1599-1660) after paintings by Diego Velázquez housed in the Spanish Royal Collection, three of which will be featured in the exhibition alongside other examples of Goya’s early prints, including a rare trial proof for an unpublished etching.

Shortly thereafter, following an illness that left him permanently deaf, Goya produced 28 drawings titled Sueños (Dreams), which formed the initial core and inspiration for the artist’s first large-scale print series, Los Caprichos. These 80 aquatint etchings engage a variety of themes – including the complex relationship between men and women, ignorance, superstitious beliefs, and witchcraft – and offer a view of human weakness and irrationality that is both deeply personal and imbued with critical social commentary.

“Over the course of his career, Goya produced almost 300 etchings and lithographs that reveal his personal vision, tireless invention, and enthusiasm for technical experimentation,” said Roglán. “This exhibition presents his printed oeuvre as an integral – indeed, defining – component of his life and career, and invites visitors to experience the Museum’s paintings by Goya in the context of his lifelong engagement with printmaking.”

> Read the full story from SMU News

October 3, 2014|Calendar Highlights, News|

Meadows Museum to host exhibition of masterworks from the House of Alba’s private collections

Peter Paul Rubens (Flemish, 1577-1640), Charles V and the Empress Isabella, c. 1628. Oil on canvas. Colección Duques de Alba, Palacio de Liria, Madrid.

Charles V and the Empress Isabella, c. 1628. Peter Paul Rubens (Flemish, 1577-1640). Oil on canvas. Colección Duques de Alba, Palacio de Liria, Madrid.

SMU’s Meadows Museum will present a major exhibition of works from one of the oldest and most significant private art collections in Europe.

Treasures from the House of Alba: 500 Years of Art and Collecting will feature more than 100 European works – from paintings by Goya and Rubens to 16th-century tapestries by Willem de Pannemaker and 19th-century furniture created for Napoleon III – most of which have never been on public display or seen outside of Spain, as well as illuminated manuscripts, books, historic documents, miniatures, antiquities, prints, sculpture, drawings, and other objects.

Curated by Fernando Checa Cremades, former director of the Museo Nacional del Prado in Madrid, Treasures from the House of Alba will be on view at the Meadows from April 18 through August 16, 2015, and will serve as the cornerstone to the Museum’s 50th anniversary celebration, which will continue throughout 2015.

The House of Alba – for centuries the most illustrious household in Spain, with close ties to the monarchy – remains one of the foremost noble families in Europe, with roots dating back to the mid-15th century when Fernando Álvarez de Toledo was named Count of the town of Alba de Tormes. The Albas have since forged connections with members of some of the most prominent dynasties in European history, including the House of Stuart; the Count-Dukes of Olivares; the Duchy of Veragua, (descendants of Christopher Columbus); Napoleon III and his wife, Eugenia de Montijo; and the Churchill family.

Over the past five centuries, the Alba family’s patronage, connoisseurship, and ties to Western royalty have shaped the growth and trajectory of the Alba collection, which is now one of the greatest private collections in the world. The current head of the Alba family is Cayetana Fitz-James Stuart, the 18th Duchess of Alba, who bears more recognized titles than any other noble living today.

“Our will is to share the works and pieces that make up the collection of the Foundation House of Alba with an increasing public, each time more knowledgeable and more interested in culture and history. This sample allows us to present different works and documents that have survived the vicissitudes of history and that make the greatest treasure of the legacy of our family. It is also an extraordinary opportunity for making visible the steady and silent work of preservation and upkeep that the house of Alba has developed for centuries,” said Carlos Fitz-James Stuart y Martínez de Irujo, Duke of Huescar.

“The Meadows Museum is incredibly grateful for the generosity of the Duchess of Alba and the entire Alba family, who have so graciously agreed to lend a range of preeminent works from their collection for this groundbreaking exhibition. These extraordinary works of art, many of which have never left the Alba family’s personal estates, are a treasure trove and a fount of new art historical knowledge,” said Mark Roglán, Linda P. and William A. Custard Director of the Meadows Museum and Centennial Chair in the Meadows School of the Arts.

“We are honored to present the first exhibition of this outstanding collection in the United States, sharing these works of art that tell the story of a remarkable family and provide an unprecedented opportunity to explore the panoply of cultural achievement and European history. We are honored that Fernando Checa Cremades will be curating Treasures from the House of Alba and working with the Museum to present the collection in a way no one has experienced before.”

> Learn more about the exhibition’s themes and highlights at SMU News

July 2, 2014|Calendar Highlights, News|
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