An update from Lexi on some of her discoveries during the class scavenger hunt at the British Museum:
This picture left of one of the remnants can be seen as a metonym for the people’s observance of rituals and for the importance of ceremonies. In this sculpture, the women are carrying incense for sacrifices, showing their respect and admiration for the Greek gods as they pay homage to them.
This depiction right can be seen as a metonym for the valor and bravery of men in combat. It could also symbolize the superiority of men (such as defeating beasts or figures of “the Other”), and it shows how the Greeks valued strength and power.
2. Objects from the “World of Sutton Hoo”
Ritual/ceremonial object: “This rare and unusual axe-hammer would have been a formidable weapon, but recently scholars have suggested that it might also have had a ceremonial use. Similar long-handled axes were probably used to slaughter sacrificial animals.”
3. Defaced Suffragette Penny of 1903: The year that this penny was defaced is significant because it is the year when the Women’s Social and Political Union was founded. The members were later nicknamed suffragettes, but the establishment of this union marked a change in tactics by female campaigners to more extreme measures of civil disobedience.
4. Sevres Porcelain of Pygmalion and Galatea: Pygmalion and Galatea are two figures in classical Greek mythology. Pygmalion was a sculptor who had given up on finding a woman and vowed to never be hurt by one again. He saw them as “flawed” creatures. Thus, he created a sculpture of the perfect woman, which he named Galatea. Ironically, he ended up falling in love with Galatea. When Aphrodite (goddess of love) saw Pygmalion’s unconditional and pure love for Galatea, Aphrodite brought Galatea to life. The Pygmalion fell in love and were wed.