2016 Meadows Virtuosi Concert takes place Saturday, Jan. 30

music

2016 Meadows Virtuosi Concert takes place Saturday, Jan. 30

Andres Diaz

Andrés Díaz

The 2016 Meadows Virtuosi Concert will spotlight Professor of Cello Andrés Díaz and Artist-in-Residence and Director of Chamber Music Matt Albert in an annual performance featuring Meadows faculty, students and guests playing side-by-side in an exciting chamber music program.

Also featured will be Dallas Symphony Orchestra violinist Maria Schleuning and the Peak Fellowship Ensemble-in-Residence Cézanne Quartet, made possible by a generous campaign donor.

Matt Albert, 2014

Matt Albert

The program will include works by Caroline Shaw, Andrew Norman, Kevin Puts and Astor Piazzola, as well as the rarely performed septet realization of Richard Strauss’s Metamorphosen.

The show is free and open to the public and will be held at 4 p.m. Saturday, Jan. 30  in Caruth Auditorium.

January 29, 2016|Calendar Highlights, Faculty in the News, News, Save the Date|

Calendar Highlights: March 6, 2015

Welcome back from the snow day! What’s going on this weekend at SMU:

Emanuel BorokBeethoven Sonatas for Piano & Violin: SMU’s Meadows School of the Arts presents Beethoven Sonatas for Piano & Violin on Saturday, March 7, 8 p.m., in Caruth Auditorium, Owen Arts Center. The performance will feature Cilburn gold medalist Alexander Kobrin on the piano and Meadows Distinguished Artist-in-Residence Emanuel Borok (pictured right) on the violin. Kobrin and Borok will perform the second of three concerts devoted to the complete cycle of Beethoven sonatas. The final concert will be May 11, 2015. For more information, call 214-768-2787.

Don’t forget: Daylight Saving Time 2015 begins at 2 a.m. Sunday, March 8. Spring forward!

March 6, 2015|Calendar Highlights, For the Record, News|

Sam Holland named Meadows dean on Nov. 12, 2014

Sam Holland, dean, Meadows School of the Arts at SMUSam Holland, professor and director in the Meadows School of the ArtsDivision of Music, was named the School’s new dean on Wednesday, Nov. 12, 2014.

He has served as interim dean since July 1, 2014, following the departure of former dean José Antonio Bowen.

An internationally renowned music educator and arts administrator, Holland will also hold the school’s Algur H. Meadows Chair.

Holland has been director of the Meadows School’s Division of Music since 2010. Under his leadership, the Music Division was named the #1 music program in the United States in the 2014 College Factual rankings, as reported in USA Today. He has also provided leadership in fundraising: He worked with the Meadows development team to obtain more than $10 million in new giving for piano inventory and programs; renovation of practice facilities; and support for endowed scholarships, new endowed professorships and the ensemble-in-residence program.

“We are delighted to have a distinguished leader who is already a highly respected member of the SMU family and the Dallas arts community to assume this important position,” said SMU President R. Gerald Turner. “Sam Holland brings experience and success not only in teaching and performing, but also in fundraising, external outreach and impact on his profession.”

Holland joined the Meadows music faculty in 1991, initially serving as head of piano pedagogy and director of the Piano Preparatory Department. He has served as head of the Department of Keyboard Studies and Pedagogy, associate chair and chair ad interim of the Division of Music and Meadows associate director for academic affairs. His teaching at SMU has included piano pedagogy, studio piano, computers and keyboards, jazz piano and piano master classes.

“Sam Holland brings a great understanding of the Meadows School and its culture and great personal charm and accomplishment to the position of dean,” said Paul Ludden, provost and vice president for academic affairs. “It is rare for a candidate to receive such enthusiastic support from every sector of the University and the community. SMU is fortunate to have Sam leading the Meadows School as the University advances in national prominence.”

Holland has extended the Meadows School’s reach beyond the campus. He developed closer associations with the Dallas Symphony Orchestra and organized SMU student performances for civic events, such as the grand opening of the Winspear Opera House and groundbreaking for the George W. Bush Presidential Center. He developed and shepherded partnerships with community groups including Dallas Chamber Music, Voices of Change, Dallas Bach Society and the Allegro Guitar Society.

“I am deeply honored and tremendously excited by the opportunity to lead the Meadows School at this time in its history,” Holland said. “After years of growth in the quality and reputation of its programs, Meadows is emerging as a national model for arts education in the 21st century. Considering the people at SMU and Meadows, an extraordinary executive board and the dynamism of Dallas, I can’t help but be irrepressibly optimistic about the future. Great cultural centers have great schools nearby. Lincoln Center has Juilliard. Chicago has Northwestern. The Dallas Arts District has Meadows. In my view, the powerhouse schools of the next 25 years will be those in which fine and performing arts are working alongside cutting-edge communication arts – precisely the ingredients we celebrate at Meadows. At Meadows, we will create, communicate, curate, innovate and engage with this great city we call home. I’m looking forward to the journey.”

Aside from his responsibilities in the Meadows School, Holland is co-founder and executive director of the Frances Clark Center for Keyboard Pedagogy, Inc., a nonprofit educational institution in New Jersey. He is executive director of the National Conference on Keyboard Pedagogy and Clavier Companion magazine. He chairs the Committee on Ethics of the Texas Association of Music Schools.

Holland earned his Bachelor of Music in applied music cum laude from The University of Texas at Austin, followed by a Master of Music in applied music with highest honors at the University of Houston and a Ph.D. in music education with an emphasis in piano pedagogy at the University of Oklahoma.

He is the author or co-author of more than 70 critically acclaimed method and repertoire collections with major publishers. In addition, he is internationally active as a performer and lecturer at music conferences and festivals and has served as founder and executive of national professional conferences and journals.

At the international level, Holland has provided leadership for music workshops and lecture/demonstrations in countries including England, Spain, Australia, Hungary, Norway and Canada. He has represented the Meadows Division of Music on visits to the U.K., Japan, Australia, Shanghai, Spain and the Peoples’ Republic of China.

Holland has been honored with the Texas Music Teacher Association Outstanding Collegiate Teaching Award and the Dean’s Prize of Meadows School of the Arts.

> Read the full story from SMU News

November 12, 2014|For the Record, News, Year of the Faculty|

Stefan Engels named Leah Young Fullinwider Endowed Centennial Chair in Music Performance

Concert organist Stefan Engels, SMU

Internationally renowned organist and educator Stefan Engels is the new Leah Young Fullinwider Endowed Centennial Chair in Music Performance in SMU’s Meadows School of the Arts.

Following an international search, world-renowned organist and educator Stefan Engels has joined the Division of Music in SMU’s Meadows School of the Arts as the new Leah Young Fullinwider Endowed Centennial Chair in Music Performance. The new endowed senior position was made possible by a $2 million gift from Sarah and Ross Perot Jr., in honor of Sarah’s mother, Mrs. Leah Fullinwider.

The position is the first Endowed Centennial Chair in the Meadows School of the Arts and the second for SMU.

The winner of the “Concerto Gold Medal” at the 1998 Calgary International Organ Competition, Engels has served as professor of organ at one of Europe’s oldest and most prestigious musical institutions, the University of Music and Theatre “Felix Mendelssohn Bartholdy” in Leipzig, Germany, since 2005. He is also the founder and artistic director of the European Organ Academy Leipzig and has recorded two highly acclaimed CDs on the Naxos and Priory labels.

Engels maintains a vigorous international concert schedule and is a sought-after teacher, having presented lectures and master classes across Europe, North America and South Korea. His specialization in the organ works of Sigfrid Karg-Elert has resulted in the world premiere recording of the complete organ works of Karg-Elert, also on the Priory label. Of this 14-CD project, eight CDs are now available for purchase and have been reviewed to the highest international acclaim.

“Without a doubt, Stefan Engels is one of the world’s top organists and organ pedagogues,” said Sam Holland, director of music and Meadows interim dean. “For many years, he has brought an outstanding class of young organists to his teaching position at Leipzig. He is equally brilliant as a concert organist and as a high liturgical organist, and each will be important since he will be teaching in both the Meadows School of the Arts and the Perkins School of Theology at SMU. We couldn’t be more pleased to bring an organist of his talent and pedigree to Dallas. Great things lie ahead.”

The search for the new chair was led by Pamela Elrod, director of choral activities at Meadows. The search committee included SMU faculty members Andrés Díaz, international concert cellist; Xi Wang, award-winning composer; and Christopher Anderson, associate professor of sacred music, as well as noted Dallas Morning News classical music critic Scott Cantrell.

Engels received his broad musical education in Germany and the United States. He studied organ, piano, harpsichord, choral conducting and church music at the universities in Aachen, Düsseldorf and Cologne. From 1993 until 1998 he pursued organ studies with Wolfgang Rübsam in Chicago and the late Robert Anderson in Dallas, receiving an Artist Certificate degree from the Meadows School in 1995.

He will present his first concert at SMU, “à la française!,” on Saturday, Nov. 22, 2014 with a program of classic French works spanning the centuries. Included will be Nicolas de Grigny’s Selections from Livre d’Orgue (1699), Michel Corrette’s 18th-century Organ Concertos No. 2 and No. 5, and Louis Vierne’s Symphonie IV, Op. 32 (1914). The concert is offered in partnership with the Dallas Bach Society and will also feature a Baroque orchestra. For more information, visit meadows.smu.edu.

> Read the full story from the Meadows School of the Arts news homepage

October 3, 2014|For the Record, News, Year of the Faculty|

Noted Liszt interpreter Michele Campanella visits SMU’s Meadows School of the Arts for mini-residency March 31-April 4, 2014

Michele CampanellaRenowned Italian pianist, recording artist and conductor Michele Campanella will be a guest of the Division of Music in SMU’s Meadows School of the Arts for a mini-residency March 31-April 4, 2014.

Campanella will give a master class for SMU pianists selected by the faculty noon-2 p.m. Wednesday, April 2 in Caruth Auditorium, Owen Arts Center. The master class is free and open to the public.

On Thursday, April 3 he will present a free public recital at 8 p.m. in Caruth Auditorium. The all-Liszt program will feature ultra-virtuoso transcriptions and paraphrases from the operas of Verdi and Wagner, including the “Danza sacra” from Aida, a Rigoletto paraphrase, “Liebestod” from Tristan and Isolde and the “Overture” from Tannhäuser.

Internationally acclaimed as a major virtuoso interpreter of Liszt, Campanella is a three-time winner of the Grand Prix du Disque awarded by the Franz Liszt Academy in Budapest (1976, 1977 and 1998), the latter for his recording Franz Liszt-The Great Transcriptions, I-II on the Philips label. He was awarded the “Liszt High Merit” medal by the Hungarian government in 1986 and the American Liszt Society Medal in 2002.

Trained at the Vincenzo Vitale School in Naples, Campanella has interpreted composers as diverse as Clementi, Weber, Poulenc, Busoni, Rossini, Brahms and Ravel. He has recently recorded an anthology of Liszt paraphrases, 12 Transcendental Studies, and a selection of works from Liszt’s late period played on Liszt’s own original Bechstein piano. The latter is the first chapter of a 12-CD series dedicated to Liszt that will be released under the Brilliant label.

Campanella’s discography includes recordings for EMI (Ravel), Philips (Liszt, Saint-Saëns), Foné (Chopin), PYE (Liszt, Tchaikovsky), Fonit Cetra (Busoni; the recordings won the 1980 Italian Discographic Critics Award), Nuova Era (Tchaikovsky, Liszt, Mussorgsky, Balakirev), Musikstrasse (Rossini), P&P (Brahms, Liszt, Scarlatti) and Niccolò (Schumann). In 2005, the Rossini Opera Festival published a recording of the Petite Messe Solennelle in Pesaro, conducted by Campanella.

For more information, call the Meadows Ticket Office at 214-768-2787 (214-SMU-ARTS).

> Read more about Michele Campanella from SMU News

March 31, 2014|Calendar Highlights, News|
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