Calendar Highlights: Sept. 15, 2015

Diego Velázquez

Calendar Highlights: Sept. 15, 2015

Taking action against trafficking: SMU’s Embrey Human Rights Program hosts a screening of 8 Days, a 2015 film about child sex trafficking in the United States, on Tuesday, Sept. 15 in McCord Auditorium, 306 Dallas Hall. Representatives from the FBI, U.S. Department of Homeland Security and SMU’s Dedman School of Law will be on hand to discuss how you can help stop human trafficking. Doors open at 6:30 p.m.; the film begins at 7 p.m.

Delta Gamma Lecture flyer - Jerry Greenfield, Ben and Jerry'sSweet social responsibility: Ben & Jerry’s cofounder Jerry Greenfield will speak about the importance of community stewardship at SMU’s 2015 Delta Gamma Lectureship in Values and Ethics. The event, hosted by the University’s Maguire Center for Ethics and Public Responsibility and sponsored by the Alpha Upsilon chapter of Delta Gamma, takes place at 7 p.m. Tuesday Sept. 15 in the Greer Garson Theatre, Owen Arts Center. The lecture is free and open to the public – and yes, there will be free ice cream. Read more from SMU News.

Meadows Jazz Orchestra Brown Bag: Bring your lunch for a brown-bag concert by the Meadows Jazz Orchestra, directed by Dylan Smith, at 12:45 p.m. Thursday, Sept. 17 in the Taubman Atrium, Owen Arts Center. The concert will offer a sneak preview of the MJO’s 2015-16 season, and the ensemble features students from a number of degree programs and majors across Meadows School of the Arts and SMU. Admission is free.

Fra Angelico, 'The Virgin of the Pomegranate' - photo by Nancy GeorgeThe faces of Fra Angelico: Italian Renaissance expert Laurence Kanter, chief durator and Lionel Goldfrank III Curator of European Art with the Yale University Art Gallery, examines the dual – and sometimes conflicting – images of Fra Angelico (ca. 1395-1455) as both a humble and spiritually inspired artist, and as a skillful businessman and a familiar of the powerful and politically connected. “Fra Angelico and the Early Renaissance in Florence” begins at 6 p.m. Thursday, Sept. 17 in the Bob and Jean Smith Auditorium, Meadows Museum. The lecture is free, and the Museum offers priority seating for members until 5:40 p.m. (Left, Fra Angelico’s The Virgin of the Pomegranate is on display as part of the Meadow Museum’s Treasures from the House of Alba through Jan. 3, 2016. Photo by Nancy George, SMU News.)

'Infanta Margarita in a Blue Dress,' Diego VelasquezThe master and Margarita: Meadows/Kress/Prado Fellow Rebecca Teresi discusses the story behind Diego Velázquez’ series of masterpieces depicting the Infanta Margarita Teresa of Spain in “Velázquez and the Infanta Margarita” at 12:15 p.m. Friday, September 18. The lecture is free, and you’ll also have a chance to view one of these masterworks, Infanta Margarita in a Blue Dress (1659, oil on canvas), on loan from the Kunsthistorisches Museum, Vienna, through Sunday, Nov. 1, 2015.

60-second songfest: SMU’s Opera Free For All series returns for 2015-16 with its popular season opener, which showcases every member of the Meadows Opera Theatre ensemble in 60-second arias and songs. “Bite-size Arias/Big-size Talents” begins at 1 p.m. Friday, Sept. 18 in the Bob Hope Theatre Lobby, Owen Arts Center. Admission is free.

September 15, 2015|Calendar Highlights, News|

Velázquez exhibition unites portraits from Prado, Meadows

Philip IV, 1623-27. Oil on canvas. By Diego Rodríguez de Silva y Velázquez

Philip IV, 1623-27, oil on canvas, by Diego Rodríguez de Silva y Velázquez, Museo Nacional del Prado, Madrid. © Museo Nacional del Prado, Madrid.

As part of its multifaceted partnership with the Prado, SMU’s Meadows Museum is presenting the most important monographic exhibition devoted to Velázquez in the United States in more than two decades.

Diego Velázquez: The Early Court Portraits, which opened Sunday, Sept. 16, 2012, and continues through Jan. 13, 2013, explores the development and impact of Velázquez’s work as the court portraitist for King Philip IV, one of history’s most influential arts patrons and connoisseurs.

The exhibition brings together key paintings from this period, including two early portraits of the King from the Meadows and Prado collections, united for the first time in four centuries. The exhibition is curated by one of the world’s leading Velázquez scholars, Javier Portús, head of the Prado’s Department of Spanish Painting until 1700. In the exhibition’s accompanying catalogue, Portús states that the artist’s first portrait of the king “may well be the work at the Meadows.”

In anticipation of this exhibition, Meadows/Kress/Prado Fellow Iraida Rodríguez-Negrón consulted directly with the Prado’s Gabinete Técnico de Documentación, the section of the museum’s conservation department where technical studies such as radiographs, infrared reflectography and UV light analysis are performed and analyzed. The Prado’s Gabinete Técnico then conducted extensive research on both museums’ Philip IV portraits.

X-rays of the Meadows portrait revealed underlying experimentation with the outline of the King’s neck and shoulders as well as variations in color and composition, suggesting this was Velázquez’s first attempt to paint the King. By contrast, it is clear that the King’s form was fully devised when Velázquez began painting the portrait now in the Prado’s collection.

Through this analysis, an outline beneath the surface of the Prado’s portrait was also discovered that replicates the contours seen in the Meadows painting, now understood to be the direct prototype of this later portrait. Technical materials will be included in the exhibition to shed light on these new findings.

> Read the full story from SMU News

September 19, 2012|Calendar Highlights, News|
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