SMU dance students and Dallas Chamber Symphony perform live to silent classic <em>Metropolis</em> at Dallas VideoFest Oct. 13, 2015

Dallas Chamber Symphony

SMU dance students and Dallas Chamber Symphony perform live to silent classic Metropolis at Dallas VideoFest Oct. 13, 2015

Metropolis banner - SMU Dance, Dallas Chamber Symphony, Dallas Video Fest

Fourteen SMU dancers, all first-year students, will perform with the Dallas Chamber Symphony during a very special presentation of director Fritz Lang’s 1927 dystopian masterpiece, Metropolis.

During a screening of the 82-minute silent film classic, the students will provide an interactive dance performance choreographed by Associate Professor Christopher Dolder, with a new score by Austin-based film composer Brian Satterwhite performed live by the Dallas Chamber Symphony. The event is part of opening-night festivities for the 2015 Dallas VideoFest and begins Tuesday, Oct. 13 at 8 p.m. at Dallas City Performance Hall, 2520 Flora Street, in downtown Dallas.

> Learn more about the Dallas VideoFest at videofest.org

Often named as the first science fiction epic in film history, Metropolis is especially vivid in its portrayal of the disruptive effects of technological innovation and the social and economic stratifications it creates, as well as of civil liberties issues such as free speech, privacy and surveillance.

Metropolis is one of the great achievements of the silent era, a work so audacious in its vision and so angry in its message that it is, if anything, more powerful today than when it was made,” wrote the late Roger Ebert in a 1985 review.

> Learn more about Metropolis at IMDb

“Audiences have always been able to relate to these themes as new advances create new groups of haves and have-nots,” Dolder says. “Even today, 90 years later, they remain fresh and relevant.”

The film’s camera work, design and special effects are still haunting and evocative, and the staging of both crowd scenes and lead actors is “strikingly balletic [in] the repetitive synchronism of the working poor, as well as [its] portrayals of dance and artificial intelligence,” as noted in a Dallas Chamber Symphony release.

These elements and more make Metropolis fertile ground for a multidisciplinary collaboration between high art and high tech, Dolder says. “The trick for us will be to create a cohesive experience, where the new score and the dance element serve and enhance the film without distracting,” he adds.

> Christopher Dolder talks about Metropolis with KERA’s “Art & Seek”

The film’s otherworldly atmosphere is enhanced not only by the music, set and dancers, but also by the strategic projection of video elements from the film, isolated onto the dancers and set, Dolder says. He created and painted the intricate series of risers on which his students will perform – and made a point not to ask for their help, he adds.

“When we started this project, I told them I was going to treat them as professional dancers helping to create a new work,” he says. “In return, I expected them to prepare and conduct themselves in the same way.”

The approach has worked, Dolder says. “These first-year students may be the best class of dancers we’ve had – and we’ve consistently attracted talented, intelligent classes,” he says.

> Metropolis preview by Michael Granberry in The Dallas Morning News

“Each year, we try and accomplish something new, and more daring,” says Richard McKay, the DSC’s artistic director and conductor. “It is our ensemble’s adventurous culture that has motivated [us] to start the season with Metropolis – by far, the most complex and expansive production we have ever created.”

Individual tickets are available for $19-$55 each, $15 for students. VIP tickets can be purchased for $75, which will include a pre-event cocktail reception backstage with the artists, starting at 7 p.m. An after party will be hosted by Proof + Pantry, across the street from the theater, with complimentary appetizers for all patrons who would like to meet the composer and performers. Get tickets and more information online at DCSymphony.org, or call 214-449-1294.

> Find event information and purchase tickets at the Dallas Chamber Symphony website,

SMU Meadows and Dallas Chamber Symphony host international piano competition, March 12-15, 2014

Dallas Chamber Symphony logoEighteen young pianists from around the globe will come to Dallas March 12-15, 2014, to participate in the second annual Dallas Chamber Symphony International Piano Competition. The event, a community partnership between the Dallas Chamber Symphony and SMU’s Meadows School of the Arts, will be hosted in SMU’s Owen Arts Center.

The event will consist of three rounds of competition before a distinguished international jury panel, as well as master classes and private lessons from renowned SMU faculty. Twelve pianists have been selected for the master classes taught by Joaquín Achúcarro, professor of piano and Joel Estes Tate Chair, and Carol Leone, associate professor and co-chair of the keyboard department.

The first place winner will receive $1,500 and will perform his or her winning concerto with the Dallas Chamber Symphony this fall at Dallas City Performance Hall. Second and third place winners receive $1,000 and $500, respectively.

Stock photo of a grand pianoThe pianists chosen by audition for the quarter-finals are from China, Cuba, Russia, South Korea, Thailand and the U.S.  Two are SMU Meadows graduate students: Lizhen Wu (China) and Dario Martin (Cuba), both of whom are studying with Achúcarro.

All of the finalists are professional or pre-professional pianists under age 25, and most have won multiple competitions in their home countries and elsewhere.

The international panel of judges includes South African native Petronel Malan, a concert and recording artist, Grammy nominee and winner of multiple gold medals at international piano competitions; Roger Lord, first prize winner of the major Canadian competitions, international performer and currently professor of piano at the Université de Moncton in Canada; and Deniz Gelenbe, a native of Turkey, hailed by critics in France as one of the world’s best chamber musicians, an international master instructor and adjudicator, and currently head of piano and organ at Trinity Laban Conservatoire of Music and Dance in London.

All competition rounds and master classes are open to the public; admission is free, but tickets must be reserved in advance.

> Read the full story from SMU News

March 7, 2014|Calendar Highlights, News|
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